“Oh, yes, this is a gala occasion. Put on your very flossiest.”
Ellen, eager to wear the white crêpe, lost no time in getting into it,
and appeared promptly to exhibit herself to her hostess.
“What a lovely dress!” she exclaimed. “You look perfectly dear in it.
Did you get it in Marshville?”
“Well, yes, I did and I didn’t. Do you know a Mary West, from Baltimore,
Mrs. Austin?”
“Never heard of the lady. Who is she?”
“I don’t know, and thought perhaps you could tell me.” Then she related
the tale of the mysterious box, giving Miss Rindy’s theory regarding the
sender.
Mrs. Austin was interested at once. “Whoever she is, she has mighty good
taste,” she declared. “I noticed what a swagger coat and hat you had as
soon as I set my eyes on you, and that pretty wool dress you have been
wearing is quite out of the common,—nothing you could pick up on a
bargain counter. Come along, honey child, I am very proud of you. Phil
is pacing the studio like a caged lion, so we’d better not tarry.”
They took their meal at a French pastry shop near by, and then went on
to Mr. Barstow’s studio which was not far away. They found their host
dancing around in great excitement. He was a little wiry man with a bald
head, dark eyes, large nose, and humorous mouth. He grabbed Ellen’s
hands and danced her across the floor to where a table was littered with
paper and string.
“Come, help me tie up my presents,” he cried. “I haven’t them near
ready. You come, too, Connie. Phil can amuse himself by tying them on
the tree as we get them done. He is so tall we won’t need a stepladder.
Reed Marshall and I trimmed the tree last night. Know Reed? Nice boy. He
went out a while ago, but he’ll be back; said he had to go, though I did
expect he would help me with these things.”
They all fell to work, and by the time the first guest arrived the last
package was tied on the tree. Then the company trooped in, singly, in
couples, and in groups till the big studio was gay with bright costumes
and lively with chatter.
The fun began when Mr. Barstow mounted the model stand and started to
dance an Irish jig, which he did with great agility. Then Mr. Austin’s
tall form made its way through the crowd, and, standing by the dancer,
this man with the dreamy eyes and solemn face sang an absurd Irish song
which nobody could possibly have suspected him of being able to do. The
performance brought forth shouts of laughter and wild applause.
Scarcely had these two performers stepped down than some one dashed into
the room, turned a handspring upon the model stand, then stood grinning
at the company and rolling his eyes comically. He was blackened up and
wore the exaggerated dress of a negro minstrel. Presently he burst out
into a weird melody with fanciful words and peculiar rhythm; this he
followed with a double shuffle. It was all so cleverly done that some
could scarce believe it was not a veritable negro before them.
Public-domain text, read in full here on John Shaqi.
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