Interpersonal relations -- Fiction; Spiritualism -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Chrissalyn fell forward in a dead faint. When she returned to
consciousness, limp and pale, and Cartice suggested taking her into her
apartment, lest the Colonel return, she smiled feebly, saying, “There
is no danger. He will not be back in ten or twelve hours. You probably
think this scene unusual, but its like has occurred several times
before. Once I had to shoot, and the ball went through his hat. The
shock of it was almost too much for me, for I thought I had killed him.”
“My poor Chriss, you must leave him, and not run such risks any more.
One such experience is enough to make you grey-headed.”
“I stay on because I can do no other thing, and if I could I should
stay to take care of him, poor, helpless, wandering soul that he is.
He will come home to-morrow weak as a baby, go to bed and lie there
helpless for weeks.”
She was a true prophet. At midnight of the next day he crept wearily up
the stairs, a feeble, disheveled, miserable figure, with a pale, peaked
face, and faded, watery eyes. Taking refuge in bed, he arose no more
for over a month.
These days of terror and anxiety were telling seriously on the
Butterfly, ever a fragile being, who hung to earth seemingly by the
most delicate thread. The pity of it was that she loved life so. Even
as it had disclosed itself to her, full of disappointment, of tragedy,
heartache and humiliation, with want menacing her daily and trouble
elbowing her at every step, still she loved it. Her ideal was not
particularly exalted. Given pretty clothes and surroundings, a few
pleasant friends, a modest retinue of moths to circle round her and a
few gold pieces to jingle in her purse, and she could squeeze joy out
of life still. But remember she was a butterfly.
CHAPTER VII.
OPPORTUNITY.
“A new friend is a new fortune.”
You have sometimes known happiness, eh? Yes, the happiness of others.
--_Aresene Houssaye._
One Sunday morning Mrs. Doring sat at a window, making a sketch of a
figure she saw on the opposite side of the street, when Chrissalyn, who
had entered by the open door, went near and looked over her shoulder
with the familiarity of close friendship.
“Why, how wonderful!” she exclaimed, the most flattering admiration
in her voice and face. “That’s Gabriel Norris, the street preacher, a
local celebrity. You’ve done him to perfection--even better than he
looks himself--that is, I see something in his expression here that I
never saw in him, and yet I believe he has it after all. The picture
brings it out strong. I can’t tell just what it is, but it makes me
want to cry.”
Public-domain text, read in full here on John Shaqi.
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