“I think I see how. . . you, I, or any one, might mould a new Admetos, new Alkestis. Ah, that brave bounty of poets, the one royal race that ever was, or will be, in this world! They give no gift that bounds itself, and ends i’ the giving and the taking: theirs so breeds i’ the heart and soul of the taker, so transmutes the man who only was a man before, that he grows god-like in his turn, can give--he also: share the poet’s privilege, bring forth new good, new beauty from the old. As though the cup that gave the wine, gave too the god’s prolific giver of the grape, that vine, was wont to find out, fawn around his footstep, springing still to bless the dearth, at bidding of a Mainad.” 3. Art as an Intermediate Agency of Personality. If Browning’s idea of the quickening, the regeneration, the rectification of personality, through a higher personality, be fully comprehended, his idea of the great function of Art, as an intermediate agency of personality, will become plain. To emphasize the latter idea may be said to be the ultimate purpose of his masterpiece, ‘The Ring and the Book’. The complexity of the circumstances involved in the Roman murder case, adapts it admirably to the poet’s purpose--namely, to exhibit the swervings of human judgment in spite of itself, and the conditions upon which the rectification of that judgment depends. This must be taken, however, as only the articulation, the framework, of the great poem. It is richer in materials, of the most varied character, than any other long poem in existence. To notice one feature of the numberless features of the poem, which might be noticed, Browning’s deep and subtle insight into the genius of the Romish Church is shown in it more fully than in any other of his poems,--though special phases of that genius are distinctly exhibited in numerous poems: a remarkable one being ‘The Bishop orders his Tomb at St. Praxed’s Church’. It is questionable whether any work of any kind has ever exhibited that genius more fully and distinctly than ‘The Ring and the Book’ exhibits it. The reader breathes throughout the ecclesiastical atmosphere of the Eternal City.