By “speaking truth” in Art’s way, Browning means, inducing a right ATTITUDE toward, a full and free SYMPATHY with, the True, which is a far more important and effective way of speaking truth than delivering truth ‘in re’. A work of Art, worthy of the name, need not be true to fact, but must be true in its spiritual attitude, and being thus true, it will tend to induce a corresponding attitude in those who do fealty to it. It will have the influence, though in an inferior degree, it may be, of a magnetic personality. Personality is the ultimate source of spiritual quickening and adjustment. Literature and all forms of Art are but the intermediate agencies of personalities. The artist cannot be separated from his art. As is the artist so MUST be his art. The ‘aura’, so to speak, of a great work of Art, must come from the artist’s own personality. The spiritual worth of Shakespeare’s ‘Winter’s Tale’ is not at all impaired by the fact that Bohemia is made a maritime country, that Whitsun pastorals and Christian burial, and numerous other features of Shakespeare’s own age, are introduced into pagan times, that Queen Hermione speaks of herself as a daughter of the Emperor of Russia, that her statue is represented as executed by Julio Romano, an Italian painter of the 16th century, that a puritan sings psalms to hornpipes, and, to crown all, that messengers are sent to consult the oracle of Apollo, at Delphi, which is represented as an island! All this jumble, this gallimaufry, I say, does not impair the spiritual worth of the play. As an Art-product, it invites a rectified attitude toward the True and the Sweet. If we look at the letter of the trial scene in ‘The Merchant of Venice’, it borders on the absurd; but if we look at its spirit, we see the Shakespearian attitude of soul which makes for righteousness, for the righteousness which is inherent in the moral constitution of the universe.