Let us consider what these two familiar words imply. Vai-ragya, or
dispassion, has as its main idea the clearing away of all passion for,
attraction to, the objects of the senses, the bonds which are made by
desire between man and the objects around him. Raga is “passion,
addiction,” that which binds a man to things. The prefix “vi”—changing
to “vai” by a grammatical rule —means “without,” or “in opposition to”.
Hence vai-ragya is “non-passion, absence of passion,” not bound, tied
or related to any of these outside objects. Remembering that thinking
is the establishing of relations, we see that the getting rid of
relations will impose on the mind the stillness that is Yoga. All raga
must be entirely put aside. We must separate ourselves from it. We must
acquire the opposite condition, where every passion is stilled, where
no attraction for the objects of desire remains, where all the bonds
that unite the man to surrounding objects are broken. “When the bonds
of the heart are broken, then the man becomes immortal.”
How shall this dispassion be brought about? There is only one right way
of doing it. By slowly and gradually drawing ourselves away from outer
objects through the more potent attraction of the Self. The Self is
ever attracted to the Self. That attraction alone can turn these
vehicles away from the alluring and repulsive objects that surround
them; free from all raga, no more establishing relations with objects,
the separated Self finds himself liberated and free, and union with the
one Self becomes the sole object of desire. But not instantly, by one
supreme effort, by one endeavour, can this great quality of dispassion
become the characteristic of the man bent on Yoga. He must practice
dispassion constantly and steadfastly. That is implied in the word
joined with dispassion, abhyasa or practice. The practice must be
constant, continual and unbroken. “Practice” does not mean only
meditation, though this is the sense in which the word is generally
used; it means the deliberate, unbroken carrying out of dispassion in
the very midst of the objects that attract.
Public-domain text, read in full here on John Shaqi.
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