An Old Babylonian Version of the Gilgamesh EpicJastrow, Morris
General
An Old Babylonian Version of the Gilgamesh Epic
Jastrow, Morris
Epic poetry, Assyro-Babylonian
(or perhaps only _it-ti-lu-ma_, since the _nim_ is not certain) and
would correspond to line 113 of the Pennsylvania tablet. Inasmuch
as the writing on the tiny fragment is very much blurred, it is
quite possible that in line 2 we must read _sib-ba-ri_ (instead
of _bar-ba-ri_), which would furnish a parallel to line 111 of the
Pennsylvania tablet. The difference between Bar and Sib is slight,
and the one sign might easily be mistaken for the other in the case
of close writing. The continuation of line 2 of the fragment would
then correspond to line 112 of the Pennsylvania tablet, while line 1
of the fragment might be completed _[re-e]-u-ti(?) sá [mu-si-a-tim]_,
though this is by no means certain.
The break at the close of column 3 (about 5 lines) and the top
of column 4 (about 8 lines) is a most serious interruption in the
narrative, and makes it difficult to pick up the thread where the
tablet again becomes readable. We cannot be certain whether the "strong
man, the unique hero" who addresses some one (lines 115-117) is Enkidu
or Gish or some other personage, but presumably Gish is meant. In the
Assyrian version, Tablet I, 3, 2 and 29, we find Gilgamesh described
as the "unique hero" and in l. 234 of the Pennsylvania tablet Gish
is called "unique," while again, in the Assyrian version, Tablet I,
2, 15 and 26, he is designated as _gasru_ as in our text. Assuming
this, whom does he address? Perhaps the shepherds? In either case
he receives an answer that rejoices him. If the fragment of the
Assyrian version (K 8574) above discussed is the equivalent to the
close of column 3 of the Pennsylvania tablet, we may go one step
further, and with some measure of assurance assume that Gish is told
of Enkidu's exploits and that the latter is approaching Erech. This
pleases Gish, but Enkidu when he sees Gish(?) is stirred to anger and
wants to annihilate him. At this point, the "man" (who is probably
Gish, though the possibility of a third personage must be admitted)
intervenes and in a long speech sets forth the destiny and higher aims
of mankind. The contrast between Enkidu and Gish (or the third party)
is that between the primitive savage and the civilized being. The
contrast is put in the form of an opposition between the two. The
primitive man is the stronger and wishes to destroy the one whom he
regards as a natural foe and rival. On the other hand, the one who
stands on a higher plane wants to lift his fellow up. The whole of
column 4, therefore, forms part of the lesson attached to the story
of Enkidu, who, identified with man in a primitive stage, is made the
medium of illustrating how the higher plane is reached through the
guiding influences of the woman's hold on man, an influence exercised,
to be sure, with the help of her bodily charms.
Public-domain text, read in full here on John Shaqi.
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