An Onlooker in France 1917-1919Orpen, William, Sir
History
An Onlooker in France 1917-1919
Orpen, William, Sir
World War, 1914-1918 -- Personal narratives; World War, 1914-1918 -- Pictorial works
I then got more ill and took to my bed. My recollections from that
time to the middle of January are very hazy. People were very kind to
me, and used to come and sit with me for hours, especially two Rifle
Brigade boys--Stevens and Riviere--two of the best. Stevens had just
come back from Brussels, where there had been great times, music and
dancing. Apparently the great tune of that period was "Katie"; anyway
Stevens could not get it out of his head. He never knew how near he
was to sending me completely mad, by singing gently to himself as the
winter afternoons drew in:--
"K-K-K-Katie, beautiful Katie,
You're the only g-g-girl that I adore,
When the ke-moon shines on the Ke-cowshed;
I'll be waiting at the Kitchie Kitchen door."
Long afterwards, during the Peace Conference, whenever I heard that
tune in the "Majestic," my mind went back to the misery and
semi-darkness in that dirty room in Amiens.
On New Year's Eve, Angus McDonnell came all the way from G.H.Q. and (p. 099)
had me lifted out to dinner, so I must have been better then. General
Sir John Cowans also came all the way from G.H.Q. to see how I was.
Kindness is a wonderful thing.
[Illustration: XLII. _General Sir J. S. Cowans, G.C.B., etc._]
The Allied Press disbanded, and I gave a dinner to the boys at the
"Hotel de la Paix." It was all arranged by my chauffeur, Gordon
Howlett, and my batman, Green, and it was well done. Great were the
songs and dances, and great was the amount of liquid put away. I was
lifted downstairs and laid out beside the table, and the lads
presented me with a magnificent silver ash-tray.
Towards the end of January, I was allowed out and about again, and I
went up to G.H.Q. to paint the Q.M.G., who put me up in his chateau. I
painted him, and also did some work down at "Bumpherie," including a
drawing of Lieutenant Brooks, who took the most wonderful official
photographs during the war, often at great personal risk. I remember a
story that went round in 1917, in which there was not a word of truth,
but it was amusing. A terrible-looking Tommy stopped Brooks in the
Street of the Three Pebbles and said: "Say, guv'ner, when are you
going to give me me photo?" "What photo? Who are you?" said Brooks.
"Blimy," said the Tommy, "you don't know me, and me the bloke as was
killed going over the top for you!"
I now got a reminder that I was due in Paris to paint the Peace
Conference. The whole thing had gone from my mind. I afterwards found
the letter, which I apparently had received and read, dated December,
telling me to go to Paris, but I was so sick I did not realise what it
was about. I realised now right enough, so I packed my bag and breezed
away to Paris, and found that great family gathering, the Peace (p. 100)
Conference, and the life of the "Astoria" and the "Majestic" commenced
for me.
Public-domain text, read in full here on John Shaqi.
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