An Oregon Girl: A Tale of American Life in the New WestRice, Alfred Ernest
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An Oregon Girl: A Tale of American Life in the New West
Rice, Alfred Ernest
Oregon -- Fiction; Western stories; Women pioneers -- Fiction
Slow and hesitating as was her action--as though undecided as to the
propriety of leaving Constance, and while drawing on her gloves, she
aimlessly wandered into the music room and listlessly sat on the piano
stool. Then, with her head turned looking out of the window, she let
her fingers ramble over the keys of the instrument. Then she saw
Virginia pass up the walk and enter the house, but after the lapse of
a few moments and her cousin not appearing, Hazel entered the drawing
room to greet her--but too late. Through the open door she heard a step
on the main stairs above. Hazel followed. On passing the table the
divorce bill caught her eye. For a moment she paused and picked it up;
then laid it down, her breath coming in gasps, for she instantly
realized a crisis of a very grave moment had appeared. She ran
upstairs, surmising that Virginia was connected with the "divorce
bill," for she had not seen Mr. Williams.
And then she heard Virginia's voice. Softly she stole to the door and
looked in. There, kneeling on the floor, were Constance and Virginia,
looking into each other's eyes, Constance drawn back in timid alarm,
and Virginia blinded with tears, clasping the hand that held the
laudanum phial, her free arm thrown lovingly around Constance's waist.
Hazel silently drew back, an overpowering emotion suffusing her eyes
with tears. "Poor Constance! Her trouble thickens fast. What will the
end be?"
CHAPTER IV.
Rutley had found time during the frantic appearance of Constance at
the "fete," to threaten Virginia with public exposure if she failed to
keep their secret. It was that threat that induced her to pause in a
momentary conceived intention to demand an explanation from her
brother. The passionate earnestness--the uncontrollable fury she
discovered in her brother--produced an awe, and aroused her to a sense
of some terrible mistake, and of the far-reaching effect her
conspiracy with Rutley was likely to have. Each moment, instead of
exultation, increased her sorrow at the course she had pursued.
Between fear of publicity of the part she had played, coupled with her
hatred of Corway, and consequent satisfaction in her triumph at his
discomfiture--at the same time alarmed at her brother's imminent danger
in a probably tragic affair--all contributed to indecision, and she
realized to her dismay that she had placed herself in the power of a
man who had proved himself a master "Iago."
Her intuition caused her to shrink from him. He comprehended and
pressed closer. Despite her powerful will and keen perception, and
possession of those womanly attributes of sympathy and kindness to
suffering humanity, she felt herself incapable, just then, of defying
him.
The cry of Constance that Dorothy was in the water scattered the
quarreling party, which rushed to the river's edge.
Public-domain text, read in full here on John Shaqi.
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