Communism -- Hungary; Hungary -- History -- Revolution, 1918-1919 -- Personal narratives; Tormay, Cécile, 1876-1937 -- Diaries
I laughed from sheer joy, laughed aloud. I could stay, and it was my
host who apologised! Tears came to my eyes: comfort? He did not realise
what royal comfort he offered me. A corner where I would withdraw out of
sight, a nook whence I should not be driven, a seat which is not
drenched with rain and on which I might rest.
His wife came in too, a kindly little woman, aged before her time. She
invited me into the room and wiped a chair with her apron, then began
splitting wood in the kitchen. When the fire had burnt up she opened the
door so as to let in the warmth.
Warmth! As it slowly thawed me it also thawed my heart. At first my mind
remained inactive, I was just happy. Then I began slowly to take notice
of the things around me. Under the low roof, above the piled-up bed, a
text was hanging in a gaudy frame. I read it over and over again during
my long wait, and yet I cannot remember it. Oleographs and family
portraits hung on the walls, the women sitting in stiff poses, the men
with long, waxed moustaches. A fretwork basket stood on the chest of
drawers. Everything shone in a reddish, warm light. A red piece of cloth
served as a curtain over the window. And as I sat on my hard chair the
guard’s hut seemed slowly to become strangely familiar to me, as did the
room with its cheap ornaments, as if I had been there before. But then
the house stood in another landscape, far away, on the Carso, amidst
bleak rock, on a wild mountain. Then I was young, and writing my first
novel: _Stonecrop_. That other house, to which I had given the youth of
my creative power, stood between two tunnels. And it dawned upon me that
perhaps there was no such thing as hazard, that even little guards’
houses return to you the love you have once bestowed upon them.
Something caught my eye, I had not noticed it before—a calendar hung on
the whitewashed wall and I read in the dim, reddish light: April 16,
1919. That recalled me to reality. Carriages passed on the road coming
from the direction of Aszód—stolen carriages, and in them sat
suspicious-looking people, Jews in fur coats, and they all drove into
the courtyard of the castle. I watched them from behind the red
curtains. They entered the house noisily: was it not all theirs? And the
windows of the castle stared in rigid astonishment out into the garden,
as if they wondered what was happening behind them.
Public-domain text, read in full here on John Shaqi.
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