Anahuac : or, Mexico and the Mexicans, Ancient and ModernTylor, Edward B. (Edward Burnett)
History
Anahuac : or, Mexico and the Mexicans, Ancient and Modern
Tylor, Edward B. (Edward Burnett)
Mexico -- Antiquities; Mexico -- Description and travel
While we are busy observing all these matters, and questioning our
boatmen about them, we reach Santa Anita. Here there are swampy lanes
and more swampy gardens, a little village of Indian houses, three or
four pulque-shops, and a church. Outside the pulque-shops are
fresco-paintings, representing Aztec warriors carousing, and draining
great bowls of pulque. These were no specimens of Aztec art, however,
but seemed to be copied (by some white or half-caste sign-painter,
probably) from the French coloured engravings which represent the
events of the Conquest. These extraordinary works of art are to be seen
everywhere in this country, where, of all places in the world, one
would have thought that people would have noticed that the artist had
not the faintest idea of what an Aztec was like, but supposed that his
limbs and face and hair were like an European’s. Here, with the real
Aztec standing underneath, the difference was striking enough. One
ought not to be too critical about these things, however, when one
remembers the pictures of shepherds and shepherdesses that adorn our
English farmhouses. We drank pulque at the sign of _The Cacique_, and
liked it, for we had now quite got over our aversion to its putrid
taste and smell. I wonder that our new faculty of pulque-drinking did
not make us able to relish the suspicious eggs that abound in Mexican
inns, but it had no such effect, unfortunately.
Our canoe took us back to the Promenade of Las Vigas, which is a long
drive, planted with rows of trees, and extends along the last mile or
two of the canal. Indeed, its name comes from the beam (Viga) which
swings across the canal at the place where the canoes pay toll. This
was the great promenade, once upon a time; but the new Alameda has
taken away all the promenaders to a more fashionable quarter, except on
certain festival days, three or four times in the year, when it is the
correct thing for society to make a display of itself—on horseback or
in carriages—in this neglected Indian quarter. We had happened upon one
of these festival days; so, as we crawled along the side-path, tired
and dusty, we had a good opportunity of seeing the Mexican beau monde.
The display of really good carriages was extraordinary; but it must be
recollected that many families here are content to live miserably
enough at home, if they can manage to appear in good style at the
theatre and on the promenade. This is one reason why so many of the
Mexicans who are so friendly with you out of doors, and in the cafés,
are so very shy of letting you see the inside of their houses. They
say, and very likely it is true, that among the richer classes, it is
customary to put a stipulation in the marriage-contracts, that the
husband shall keep a carriage and pair, and a box at the theatre, for
his wife’s benefit. The horsemen turned out in great style, and the
foreigners were fully represented among them. It was noticeable that
Public-domain text, read in full here on John Shaqi.
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