"Nevertheless, a fog at sea can be a source of intense relish and
enjoyment. Abstract from the experience of the sea-fog, for the moment,
its danger and practical unpleasantness; ... direct the attention to the
features 'objectively' constituting the phenomena--the veil surrounding
you with an opaqueness as of transparent milk, blurring the outlines of
things and distorting their shapes into weird grotesqueness; observe the
carrying power of the air, producing the impression as if you could
touch some far-off siren by merely putting out your hand and letting it
lose itself behind that white wall; note the curious creamy smoothness
of the water, hypercritically denying as it were, any suggestion of
danger; and, above all, the strange solitude and remoteness from the
world, as it can be found only on the highest mountain tops; and the
experience may acquire, in its uncanny mingling of repose and terror, a
flavour of such concentrated poignancy and delight as to contrast
sharply with the blind and distempered anxiety of its other aspects.
This contrast, often emerging with startling suddenness, is like the
momentary switching on of some new current, or the passing ray of a
brighter light, illuminating the outlook upon perhaps the most ordinary
and familiar objects--an impression which we experience sometimes in
instants of direst extremity, when our practical interest snaps like a
wire from sheer over-tension, and we watch the consummation of some
impending catastrophe with the marvelling unconcern of a mere
spectator."
* * * * *
Public-domain text, read in full here on John Shaqi.
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