And so, having given the goddess her green necklace in exchange for the one she hoped for. Chrysis returned to the town carrying a human will in her mouth, like the little stolen rose whose stalk she was nibbling. Demetrios waited until he was left alone in the temple; then he issued forth from his retreat. He looked at the statue apprehensively, expecting an infernal inward struggle. But, being incapable of renewing a violent emotion at so short an interval of time, he once more became astonishingly calm, without premature remorse. Negligently, tranquilly, he climbed close up to the statue, took the necklace of true pearls from off Anadyomene’s neck, and slipped it into his raiment. VII THE TALE OF THE ENCHANTED LYRE He walked very rapidly, hoping to overtake Chrysis in the road which led to the town. He was afraid that if he delayed any further he might once again lose his courage and his power of will. The white, hot road was so luminous that Demetrios closed his eyes as if the midday sun was shining. He was walking in this way without looking in front of him, when he narrowly escaped colliding with four black slaves who were marching at the head of a fresh procession. Suddenly a musical little voice said softly: “Well-beloved, how glad I am!” He raised his head: it was Queen Berenice leaning on her elbow in her litter. She gave the order: “Stop, porters!” And held out her arms to her lover. Demetrios was greatly put out, but he could not refuse, and he got in sulkily. Then Queen Berenice, beside herself with joy, crawled on her hands and knees to the far end, and rolled in the cushions like a playful kitten. For this litter was a chamber carried by four and twenty slaves. It afforded ample room for twelve women to recline in it at random, upon a thick blue carpet strewn with stuffs and cushions; and its height was so great that one could not touch the roof, even with the tip of one’s fan. Its length was greater than its width, and it was closed in front and on the three sides by very fine yellow curtains which scintillated with light. The back was of cedar-wood, draped in a long veil of orange-coloured silk. At the top of this splendid wall, the great golden hawk of Egypt hung grimly with its two wings extended to their full extent. Lower down, carved in ivory and silver, the antique symbol of Astarte gaped above a lighted lamp whose rays strove with the daylight in elusive reflections. Underneath, lay Queen Berenice, fanned on either side by two Persian slave women, waving two tufts of peacock’s feathers. She beckoned the young sculptor to her side with her eyes, and repeated: “Well-beloved, I am happy!” She stroked his cheek.