Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied SymbolsInman, Thomas
Religion
Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied Symbols
Inman, Thomas
Christian art and symbolism; Symbolism
The goddess in plate 8, is nude, and carries in her hand the tripliform
arrow, emblem of the male triad, whilst in the other she bears a
thyrsus, terminating in a pine or fir cone. Now this cone and stem are
carried in the Bacchic festivities, and can be readily recognised as
virga cum ovo. Sometimes the thyrsus is replaced by ivy leaves, which,
like the fig, are symbolic of the triple creator. Occasionally the
thyrsus was a lance or pike, round which vine leaves and berries were
clustered; Bacchus cum vino being the companion of Venus cum cerere. But
a stronger confirmation of my views may be found in a remarkable
group (see Fig. 124 infra). This is entitled Sacrifizio di Priapo, and
represents a female offering to Priapus. The figure of the god stands
upon a pillar of three stones, and it bears a thyrsus from which depend
two ribbons. The devotee is accompanied by a boy, who carries a pine-
or fir- cone in his hand, and a basket on his head, in which may be
recognised a male effigy. In Figure 64 the position of the advanced hand
of each of the priests nearest to the grove is very suggestive to the
physiologist. It resembles one limb of the Buddhist cross, Fig. 37,
supra. The finger or thumb when thus pointed are figurative of Asher, in
a horizontal position, with Anu or Hea hanging from one end. Figure
65 is explained similarly. It is to be noticed that a door is adopted
amongst modern Hindoos as an emblem of the sacti (see Figs. 152, 153,
infra).
My friend Mr. Newton, who has taken great interest in the subject of
symbolism, regards these "groves" as not being simply emblems of the
yoni, but of the union of that part with the lingam, or mystic palm
tree. As his ideas are extremely ingenious, and his theory perfect, I
have requested him to introduce them at the end of this work.
Figures 67, 68, 69, are fancy sketches intended to represent the "sacred
shields" spoken of in Jewish and other history. The last is drawn from
memory, and represents a Templar's shield. According to the method in
which the shield is viewed, it appears like the os tincae or the navel.
Figures 70, 71, represent the shape of the sistrum of Isis, the fruit of
the fig, and the yoni. When a garment of this shape is made and worn,
it becomes the "pallium" donned alike by the male and female individuals
consecrated to Roman worship.
King, in his Ancient Gnostics, remarks: "The circle of the sun is the
navel, which marks the natural position of the womb--the navel being
considered in the microcosm as corresponding to the sun in the universe,
an idea more fully exemplified in the famous hallucination of the Greek
anchorites touching the mystical 'Light of Tabor,' which was revealed to
the devotee after a fast of many days, all the time staring fixedly upon
the region of the navel, whence at length this light streamed as from a
focus." Pages 158, 154.
Public-domain text, read in full here on John Shaqi.
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