Anecdotal Recollections of the Congress of ViennaLa Garde-Chambonas, Auguste Louis Charles, Comte de
History
Anecdotal Recollections of the Congress of Vienna
La Garde-Chambonas, Auguste Louis Charles, Comte de
Congress of Vienna (1814-1815)
They opened with foot races, after which came races with small Eastern
horses, after the manner of the Barbary horses that contest for speed
in the Corso in Rome. In an open-air circus, the trick-riders and
acrobats of Bach, who are the rivals of Franconi and Astley of London,
performed all kinds of exercises on foot and on horseback. Further
on, the Turnplatz was occupied by young men who, to the delight of
the spectators, went through a series of gymnastics. To the left of
the palace, on a magnificent greensward, there stood a pole a hundred
feet high, surmounted by a huge wooden bird with outspread wings. It
served as a target to a company of Tyrolese archers, experts with the
cross-bow. The prize was a beautiful silver-gilt vase. It was hotly
contested for, and finally fell to a son of the celebrated Tyrolese
Hofer.
Finally, an enormous balloon rose in the air. The aeronaut’s name
was Kraskowitz, and he proved a worthy emulator of Garnerin and
Blanchard, for a short time after his ascent he soared majestically
above the crowd, waving a number of flags of the various nations whose
representatives had forgathered in Vienna.
An hour later, the aeronaut, after a unique view of a splendid scene,
came gently down in the island of Lobau, the spot connected with one of
the remarkable military feats of modern history.
Then there was an interruption of the games. Sixteen large tables
were spread on a vast lawn, the four thousand veterans sat down to a
profusely served repast, while from several bandstands, decorated with
standards and panoplies of war, there uprose the strains of military
symphonies. In another part of the park, four elegantly decorated tents
in which companies of Bohemians, Hungarians, Austrians, and Tyrolese
respectively, in the picturesque dresses of their countries, performed
national dances to the sound of their own particular instruments,
diversified by their patriotic songs.
The sovereigns during the whole of the time wandered about, unescorted,
taking stock of everything, and chatting familiarly with the veterans,
many of whose faces were absolutely riddled with scars. There was
something patriarchal in their thus mingling with the crowd, which eyed
them curiously, respectfully following them everywhere.
When night fell, a hundred thousand lamps converted the Augarten
into a blaze of light, and then there were magnificent fireworks in
front of the palace. The principal pieces represented the monuments
of Milan, Berlin, and St. Petersburg. There was an immense crowd in
the avenues of the Augarten, but at no moment was order disturbed in
the slightest. This popular rejoicing was marked by a serious and
thoughtful calm, for which the German character alone, perhaps, can
offer a model.
Public-domain text, read in full here on John Shaqi.
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