himself with patience, and he had seen enough to know that the heads of the city seldom remained long fixed to one resolution. He might easily have shown them a small model which he had secretly made, but he would not do so, knowing the imperfect intelligence of the syndics, the envy of the artists, and the instability of the citizens, who favored now one and now another, as each chanced to please them. And I do not wonder at this, because every one in Florence professes to know as much of these matters, as do the most experienced masters, although there are very few who really understand them; a truth which we may be permitted to affirm without offence to those who are well informed on the subject. What Filippo therefore could not effect before the tribunal, he began to attempt with individuals, and talking apart now with a syndic, now with a warden, and again with different citizens, showing moreover certain parts of his design; he thus brought them at length to resolve on confiding the conduct of this work, either to him or to one of the foreign architects. Hereupon, the syndics, the wardens, and the citizens, selected to be judges in the matter, having regained courage, gathered together once again, and the architects disputed respecting the matter before them; but all were put down and vanquished on sufficient grounds by Filippo, and here it is said that the dispute of the egg arose, in the manner following. The other architects desired that Filippo should explain his purpose minutely, and show his model, as they had shown theirs. This he would not do, but proposed to all the masters, foreigners and compatriots, that he who could make an egg stand upright on a piece of smooth marble, should be appointed to build the cupola, since in doing that, his genius would be made manifest. They took an egg accordingly, and all those masters did their best to make it stand upright, but none discovered the method of doing so. Wherefore, Filippo, being told that he might make it stand himself, took it daintily into his hand, gave the end of it a blow on the plane of the marble, and made it stand upright.[2] Beholding this, the artists loudly protested, exclaiming that they could all have done the same; but Filippo replied, laughing, that they might also know how to construct the cupola, if they had seen the model and design. It was thus at length resolved that Filippo should receive the charge of conducting the work, but was told that he must furnish the syndics and wardens with more exact information.