Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
Under the pontificate of Julius III., the faction of San Gallo went so
far, as to prevail upon the Pope to appoint a committee to examine the
fabric. Angelo paid no attention to the cavils of his enemies. Finally
the Pope summoned him before him, and told him that a particular part of
the church was too dark. “Who told you that, holy father?” said Angelo.
“I did,” interrupted the Cardinal Marcello. “Your eminence should
consider, then,” said the artist, casting at the prelate a look of cool
contempt, “that besides the window there is at present, I have designed
three more in the ceiling of the church!” “You did not tell me that,”
replied the Cardinal. “No indeed, I did not, sir. I am not obliged to
tell you; nor would I ever consent to be obliged to tell your eminence,
or any person whomsoever, anything concerning it. Your business is to
take care that money is plenty at Rome; that there are no thieves there;
to let me alone; and to permit me to go on with my plan as I please.”
When asked why he did not marry, he replied that “his art was his
mistress, and gave him trouble enough.” Again, that “an artist should
never cease to learn.” When told that some one had performed a
remarkable feat in painting with his fingers, he said, “Why don’t the
blockhead use his brush?” When shown Titian’s Danaë, he observed, “What
a pity these Venetians do not study design.” Of the Gates of Ghiberti,
he said, “they are fit to adorn the portals of Paradise.”
WASHINGTON ALLSTON.
“Soon after Allston’s marriage with his first wife, the sister of the
late Dr. Channing, he made his second visit to Europe. After a residence
there of a little more than a year, his pecuniary wants became very
pressing and urgent--more so than at any other period of his life. On
one of these occasions, as he himself used to narrate the event, he was
in his studio, reflecting with a feeling of almost desperation upon his
condition. His conscience seemed to tell him that he had deserved his
afflictions, and drawn them upon himself, by his want of due gratitude
for past favors from heaven. His heart, all at once, seemed filled with
the hope that God would listen to his prayers, if he would offer up his
direct expressions of penitence, and ask for divine aid. He accordingly
locked his door, withdrew to a corner of the room, threw himself upon
his knees, and prayed for a loaf of bread for himself and his wife.
While thus employed, a knock was heard at the door. A feeling of
momentary shame at being detected in this position, and a feeling of
fear lest he might have been observed, induced him to hasten and open
the door. A stranger inquired for Mr. Allston. He was anxious to learn
who was the fortunate purchaser of the painting of “Angel Uriel,”
regarded by the artist as one of his masterpieces, and which had won the
prize at the exhibition of the Academy. He was told that it had not been
sold. “Can it be possible? Not sold! Where is it to be had?” “In this
very room.
Public-domain text, read in full here on John Shaqi.
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