Another World: Fragments from the Star City of MontalluyahLumley, Benjamin
Science
Another World: Fragments from the Star City of Montalluyah
Lumley, Benjamin
Utopias
Many of the most lovely flowers and plants in the external world are
those which flourish in the red shade, and are, therefore, eminently
suited to the internal cities, where, planted in profusion, they
flourish greatly, and emit aromas like your essences, but invariably
fresh, sweet, and wholesome. Their natural beauty and odours are
increased by electricity, an agent by means of which we can give most
beautiful fragrance--nay, colour, form, and variety to flowers in
general.
The communication from the palaces in the external world is often by
means of a winding path, descending from the basement of the upper
palace to the palace in the internal world. By means of machines worked
by electricity we have facilities for excavating earth; and where rocks
or hard substances intervene we can remove large masses by the
application of explosive electricities. These paths are therefore
excavated with ease.
My palace, situate on the summit of the upper mountain city,
communicates with a magnificent summer palace, reached easily by a well
lighted descent. The daylight in the internal palaces is peculiarly
beautiful, almost unearthly. Pictures of life-like power are painted
expressly for this light.
In my summer palace is a saloon of very great proportions, with a floor
of ivory inlaid with pearls. This saloon contains more than 150
pictures, works of our great artists, representing the principal events
of my life. In these the figures are large as life. Here are depicted
extreme perils which I had undergone; here are the present times
contrasted with the past; and thus the benefits conferred by my reign
are presented in a manner which appeals at once to the heart.
SUNSHINE PICTURES.
Great discoveries had been made of the enormous resources afforded by
the sun. By the aid of machines this power is greatly utilized in
manufactures, sciences, and arts. The loveliest colours of our fabrics
are those imparted by the action of the sun with the aid of instruments
fitted to the purpose.
When we desire to produce in a painting the effect of sunshine, the rays
of the sun are attracted and permanently fixed on the parts of the
picture we wish to illumine. The effect produced is as though the sun
was actually shining on the picture. The effects of sunrise or sunset--
the effects of the most brilliant, as well as the least vivid,
sunshine--can be produced at will, and are exactly those of nature. Some
of these effects are so vivid, that it would dazzle the eye to look on
the sunny parts of the picture for any length of time.
Public-domain text, read in full here on John Shaqi.
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