Deprived of her mother, exiled from the companionship of others of her
age, permitted no familiarity with any living being, no sympathies with
any other heart, commanded but never indulged, rebuked but never
applauded, she must have sunk beneath the severities imposed on her by
her father, but for the venial disobedience committed in the pursuit of
the solitary pleasure procured for her by her lute. Vainly, in her
hours of study, did she read the fierce anathemas against love,
liberty, and pleasure, poetry, painting, and music, gold, silver, and
precious stones, which the ancient fathers had composed for the benefit
of the submissive congregations of former days; vainly did she imagine,
during those long hours of theological instruction, that her heart's
forbidden longings were banished and destroyed--that her patient and
childlike disposition was bowed in complete subserviency to the most
rigorous of her father's commands. No sooner were her interviews with
Numerian concluded than the promptings of that nature within us, which
artifice may warp but can never destroy, lured her into a forgetfulness
of all that she had heard and a longing for much that was forbidden.
We live, in this existence, but by the companionship of some sympathy,
aspiration, or pursuit, which serves us as our habitual refuge from the
tribulations we inherit from the outer world. The same feeling which
led Antonina in her childhood to beg for a flower-garden, in her
girlhood induced her to gain possession of a lute.
The passion for music which prompted her visit to Vetranio, which alone
saved her affections from pining in the solitude imposed on them, and
which occupied her leisure hours in the manner we have already
described, was an inheritance of her birth.
Public-domain text, read in full here on John Shaqi.
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