This was the man who had intercepted Vetranio on his journey home, and
who had now hurried back so as to regain his accustomed post before his
master's return, for he was the same individual mentioned by Numerian
as his aged convert, Ulpius, in his interview with the landholder at
the Basilica of St. Peter.
When Ulpius had arrived within a few paces of the girl he stopped,
saying in a hoarse, thick voice--
'Hide your toy--Numerian is at the gates!'
Antonina started violently as she listened to those repulsive accents.
The blood rushed into her cheeks; she hastily covered the lute with her
robe; paused an instant, as if intending to speak to the man, then
shuddered violently, and hurried towards the house.
As she mounted the steps Numerian met her in the hall. There was now
no chance of hiding the lute in its accustomed place.
'You stay too late in the garden,' said the father, looking proudly, in
spite of all his austerity, upon his beautiful daughter as she stood by
his side. 'But what affects you?' he added, noticing her confusion.
'You tremble; your colour comes and goes; your lips quiver. Give me
your hand!'
As Antonina obeyed him, a fold of the treacherous robe slipped aside,
and discovered a part of the frame of the lute. Numerian's quick eye
discovered it immediately. He snatched the instrument from her feeble
grasp. His astonishment on beholding it was too great for words, and
for an instant he confronted the poor girl, whose pale face looked
rigid with terror, in ominous and expressive silence.
'This thing,' said he at length, 'this invention of libertines in my
house--in my daughter's possession!' and he dashed the lute into
fragments on the floor.
For one moment Antonina looked incredulously on the ruins of the
beloved companion, which was the centre of all her happiest
expectations for future days. Then, as she began to estimate the
reality of her deprivation, her eyes lost all their heaven-born
brightness, and filled to overflowing with the tears of earth.
'To your chamber!' thundered Numerian, as she knelt, sobbing
convulsively, over those hapless fragments. 'To your chamber!
Tomorrow shall bring this mystery of iniquity to light!'
She rose humbly to obey him, for indignation had no part in the
emotions that shook her gentle and affectionate nature. As she moved
towards the room that no lute was henceforth to occupy, as she thought
on the morrow that no lute was henceforth to enliven, her grief almost
overpowered her. She turned back and looked imploringly at her father,
as if entreating permission to pick up even the smallest of the
fragments at his feet.
'To your chamber!' he reiterated sternly. 'Am I to be disobeyed to my
face?'
Without any repetition of her silent remonstrance, she instantly
retired. As soon as she was out of sight, Ulpius ascended the steps
and stood before the angered father.
Public-domain text, read in full here on John Shaqi.
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