Man-woman relationships -- Fiction; Monks -- Fiction; Portugal -- History -- 1826-1853 -- Fiction; Wine and wine making -- Fiction
The garb had not grown strange to Antonio: for since his expulsion
from the abbey rarely had a day passed without his saying some part
of the Divine Office, garbed in the rusty habit which he had worn at
Navares. But, as he donned the Benedictine uniform in his own cell
of a Benedictine abbey, the monk's emotion overpowered him. The cell
was too straight and dark for the immense and sublime expansion of
his spirit. He hastened out, along the dim corridor, and up the
winding steps which led to the flat roof of the cloister.
Antonio sat down on the cork bench where he had mused on the night of
his ordination, just before he heard the chink of steel. The
November moonlight was not less gracious than the May dusk. The
cross in the monks' graveyard uprose as white and slender as a taper
on an altar, and all the earth seemed consecrated ground. And there
the young priest sat for a long time, without moving, while he
recalled, beginning with the march to Navares, the motley events
which had filled the one-and-forty months of his exile. Finally he
lived over again his last night in the abbey. Other men, other
scenes, other words, other deeds seemed faint and far away: but the
face of the dying Abbot was clear in his memory, and the old man's
words might still have been sounding in the young monk's ears. Above
all else the Abbot's prophecy rang out like bells: "I see our chapel,
swept and garnished. I see Antonio, in his old place, doing the work
of God."
The hour was come. He rose and descended the spiral stairway. At
the entrance of the chapel he paused, and, falling upon his knees,
implored pardon for his brief apostasy in the roadside wine-shop.
Then with bowed head and reverent steps he crossed the sacred
threshold.
The few windows were placed so high and were so deeply set in the
thick walls that very little moonlight could enter the chapel.
Nearly all the nave was filled with darkness. But the choir, raised
on a marble floor, could be dimly seen, while the altar, higher
still, received the full glory of the light. The doors of the empty
tabernacle were wide open, as on Good Friday, the six tall candles
still stood in their places, and no one had removed the vases with
their silver-gilt symbols of the Holy Eucharist--wheat-ears and
vine-leaves and grapes. Behind the crucifix rose a statue of our
Lady treading down a serpent and holding forth towards Antonio the
divine Child. Upon his head was a crown set with brilliants of old
paste which burned bluish white in the cold moonlight.
Antonio groped his way to his old stall. There, humbly kneeling upon
his knees, he offered up his prayers and praise. He prayed for his
brethren of three years before, picturing each one of them in his
particular stall; and his most fervent petitions were for the good
estate of Father Sebastian, alive or dead.
Public-domain text, read in full here on John Shaqi.
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