Appreciations, with an Essay on StylePater, Walter
Philosophy
Appreciations, with an Essay on Style
Pater, Walter
English literature -- History and criticism; Style, Literary
fine perception of the congruities, the musical accordance between
humanity and its environment of custom, society, personal intercourse;
as if all this, with its meetings, partings, ceremonies, gesture, tones
of speech, were some delicate instrument on which an expert performer
is playing.
These are some of the characteristics of Elia, one essentially an
essayist, and of the true family of Montaigne, "never judging," as he
says, "system-wise of things, but fastening on particulars;" saying all
things as it were on chance occasion only, and by way of pastime, yet
succeeding thus, "glimpse-wise," in catching and recording more
frequently than others "the gayest, happiest attitude of things;" a
casual writer for dreamy readers, yet always giving the reader so much
more than he seemed to propose. There is something of the follower of
George Fox about him, and the Quaker's belief in the inward light
coming to one passive, [117] to the mere wayfarer, who will be sure at
all events to lose no light which falls by the way--glimpses,
suggestions, delightful half-apprehensions, profound thoughts of old
philosophers, hints of the innermost reason in things, the full
knowledge of which is held in reserve; all the varied stuff, that is,
of which genuine essays are made.
And with him, as with Montaigne, the desire of self-portraiture is,
below all more superficial tendencies, the real motive in writing at
all--a desire closely connected with that intimacy, that modern
subjectivity, which may be called the Montaignesque element in
literature. What he designs is to give you himself, to acquaint you
with his likeness; but must do this, if at all, indirectly, being
indeed always more or less reserved, for himself and his friends;
friendship counting for so much in his life, that he is jealous of
anything that might jar or disturb it, even to the length of a sort of
insincerity, to which he assigns its quaint "praise"; this lover of
stage plays significantly welcoming a little touch of the artificiality
of play to sweeten the intercourse of actual life.
Public-domain text, read in full here on John Shaqi.
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