Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
Passionate sympathy echoed in every word, was expressed in every
feature, and she listened as if a great happiness was in store for
herself when he disclosed the hopes which he based upon the statue of
Arachne.
True, as time passed he had spoken more than once of the necessity of
retiring, and before midnight really tried to depart; but he had fallen
under Althea’s thrall, and, in reply to her inquiry what must shorten
these exquisite hours, had informed her, in significant words, what drew
him away, and that his delay threatened him with the loss of a model
such as the favour of fate rarely bestowed upon an artist.
Now the Thracian for the first time permitted her eyes to make frank
confessions. She also bent forward with a natural movement to examine
the artistic work on a silver vase, and as while doing so her peplos
fell over his hand, she pressed it tenderly.
He gazed ardently up at her; but she whispered softly: “Stay! You will
gain through me something better than awaits you there, and not only for
to-day and to-morrow. We shall meet again in Alexandria, and to serve
your art there shall be a beloved duty.”
His power of resistance was broken; yet he beckoned to his slave Bias,
who was busied with the mixing jars, and ordered him to seek Ledscha and
tell her not to wait longer; urgent duties detained him.
While he was giving this direction, Althea had become engaged in the
gay conversation of the others, and, as Thyone called Hermon, and he
was also obliged to speak to Daphne, he could not again obtain an
opportunity for private talk with the wonderful woman who held out far
grander prospects for his art than the refractory, rude Biamite maiden.
Soon Althea’s performance seemed to prove how fortunate a choice he had
made. Her Arachne appeared like a revelation to him. If she kept her
promise, and he succeeded in modelling her in the pose assumed while
imagining the process of transformation, and presented her idea to the
spectators, the great success which hitherto--because he had not
yielded to demands which were opposed to his convictions--he had vainly
expected, could no longer escape him. The Alexandrian fellow-artists who
belonged to his party would gratefully welcome this special work; for
what grew out of it would have nothing in common with the fascination
of superhuman beauty, by which the older artists ensnared the hearts and
minds of the multitude. He would create a genuine woman, who would not
lack defects, yet who, though she inspired neither gratification nor
rapture, would touch, perhaps even thrill, the heart by absolute truth.
Public-domain text, read in full here on John Shaqi.
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