Aratra Pentelici, Seven Lectures on the Elements of Sculpture: Given before the University of Oxford in Michaelmas Term, 1870Ruskin, John
Philosophy
Aratra Pentelici, Seven Lectures on the Elements of Sculpture: Given before the University of Oxford in Michaelmas Term, 1870
Ruskin, John
Sculpture
100. As you will find that it is, not to the artist only, but to all of
us. The laws under which matter is collected and constructed are the
same throughout the universe: the substance so collected, whether for
the making of the eagle, or the worm, may be analyzed into gaseous
identity; a diffusive vital force, apparently so closely related to
mechanically measurable heat as to admit the conception of its being
itself mechanically measurable, and unchanging in total quantity, ebbs
and flows alike through the limbs of men and the fibers of insects. But,
above all this, and ruling every grotesque or degraded accident of this,
are two laws of beauty in form, and of nobility in character, which
stand in the chaos of creation between the Living and the Dead, to
separate the things that have in them a sacred and helpful, from those
that have in them an accursed and destroying, nature; and the power of
Athena, first physically put forth in the sculpturing of these [Greek:
zoa] and [Greek: herpeta], these living and reptile things, is put
forth, finally, in enabling the hearts of men to discern the one from
the other; to know the unquenchable fires of the Spirit from the
unquenchable fires of Death; and to choose, not unaided, between
submission to the Love that cannot end, or to the Worm that cannot die.
101. The unconsciousness of their antagonism is the most notable
characteristic of the modern scientific mind; and I believe no credulity
or fallacy admitted by the weakness (or it may sometimes rather have
been the strength) of early imagination, indicates so strange a
depression beneath the due scale of human intellect, as the failure of
the sense of beauty in form, and loss of faith in heroism of conduct,
which have become the curses of recent science,[24] art, and policy.
102. That depression of intellect has been alike exhibited in the mean
consternation confessedly felt on one side, and the mean triumph
apparently felt on the other, during the course of the dispute now
pending as to the origin of man. Dispute for the present not to be
decided, and of which the decision is, to persons in the modern temper
of mind, wholly without significance: and I earnestly desire that you,
my pupils, may have firmness enough to disengage your energies from
investigation so premature and so fruitless, and sense enough to
perceive that it does not matter how you have been made, so long as you
are satisfied with being what you are. If you are dissatisfied with
yourselves, it ought not to console, but humiliate you, to imagine that
you were once seraphs; and if you are pleased with yourselves, it is not
any ground of reasonable shame to you if, by no fault of your own, you
have passed through the elementary condition of apes.
Public-domain text, read in full here on John Shaqi.
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