Architectural Antiquities of NormandyTurner, Dawson
History
Architectural Antiquities of Normandy
Turner, Dawson
Architecture -- France -- Normandy; Architecture, Norman
In the same year, at the time when these drawings were made, no tombs
whatever existed in the church of the Trinity. There had formerly been
many here; but the revolution had swept them all away.[66] Among the
rest were those of the royal foundress, of her daughter Cæcilia, the
first abbess, and of two other daughters of English kings, who likewise
wore the ducal coronet of Normandy. The most celebrated of all was that
of Matilda: according to Ordericus Vitalis, it was of exquisite
workmanship, and richly ornamented with gold and precious stones. But
the Calvinists demolished it in 1562; and, not content with plundering
the monument of all that was valuable, tore open the Queen's coffin, and
dispersed her remains. Towards the close of the same century, Anne de
Montmorenci, then abbess, caused the royal bones to be collected, and
again to be deposited in the original stone coffin; and things continued
in this state till the year 1708, when the abbess, Gabrielle Françoise
Fronlay de Tessé, raised a second altar-tomb of black marble, a
representation of which has been preserved by Ducarel. In addition to
this, she inclosed the bones of the princess for greater security in a
leaden box, which she laid in the coffin; and these happily escaped
violation in 1793, when the revolutionists destroyed the monument,
because the arms of Normandy, with which it was ornamented, sinned
against the doctrines of the liberty and equality of man. France being
once more settled under a monarchical form of government, a fresh search
was instituted in March, 1819, by the prefect of the department, in the
presence of the bishop of the diocese and Mr. Spencer Smythe, for the
discovery of Matilda's remains; and they were found and verified, and
re-interred in their original situation.--Another tomb, similar to
that which was destroyed at the revolution, is also raised over them.
The engraved stone in _plate twenty-six_, marks the place which it
occupies. Upon it is laid the original slab with the epitaph, which, by
great good fortune, escaped unhurt from the hands both of democrats and
Huguenots; and, as many of the subscribers to this work have expressed a
desire that a fac-simile of it should be inserted, as illustrative of
the form of the letters, as well as of the manner of writing in use at
that period, Mr. Cotman has had a pleasure in meeting their wishes, at
the same time, that he has not considered it as sufficiently belonging
to the publication, to justify him in making it an object of charge. The
inscription, divided into lines, and written in modern characters, is as
follows:--
Public-domain text, read in full here on John Shaqi.
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