“From the instant of that laugh ‘Noon’ stopped being a painting to Hugh.
It became the symbol of his love,—sneered at, denied. So he tossed it
into the attic and shut the door on it. Forgot it. A very wholesome
proceeding in spite of the psychoanalysts.... But whether this
explanation, which, to be honest, is not founded on knowledge but merely
surmise, really _is_ an explanation or not needn’t matter to you, I
hope. You’ll be magnanimous.... If one can’t be magnanimous, one had
better be chucked into the attic oneself. I can state that as a fact. No
surmise about it.”
Ariel, too, was looking at the anemone. She addressed it, rather than
Grandam, but to her they were one,—the glassy, heavenly still flower,
and the voice counseling magnanimity.
“I’m going to go now and get that—love, hidden in the attic,” she said.
“Find it. Dust it. Nobody can stop me. You mustn’t come, Grandam. You
look very tired.”
Grandam was more tired than she had known, and glad to be forced, very
nearly carried, over to her daybed by Ariel. She could well afford to
rest now. Ariel was all right.
It took Ariel some long minutes in the cold barnlike place, robbed by
Grandam’s analogy of mystery and charm, to find “Noon.” But at last she
hauled it out from behind a wall of discarded mattresses, a rather large
and heavy unframed canvas, festooned with dusty cobwebs. Not minding at
all the havoc it wreaked on her wispy green evening frock, she brought
it in to Grandam’s room.
“Turn away your face,” she called from the door. “I want to dust it
before you look and I’ll put it up on the mantel with the candles around
it. It’ll be better in daylight, of course, but even candlelight will
give you some idea!”
Grandam turned her face obediently but held out the silver shawl toward
Ariel. “Here’s a duster,” she said, “that’s just the thing for it.”
Without objections or even hesitation, Ariel used that live, lovely
belonging of Grandam’s to dust the cobwebs and the dirt from the face of
“Noon.” But she knew perfectly what it was she was doing. And Grandam
knew that she knew. For the scarf was a rare and unreplaceable thing.
Ariel’s tongue and lips were dry as the dust on the picture over which
she worked and her heart beat heavily, like the waves on her home beach
after a storm.
Public-domain text, read in full here on John Shaqi.
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