The adventurers do not learn much, however, from the Hoopoe. But an original idea strikes Peisthetærus--why not build a city up here, in the region of the Birds, the mid atmosphere between earth and heaven? If the Hoopoe and his subjects will but follow his advice, they will thus hold the balance of power in the universe. “From that position you’ll command mankind, And keep them in utter thorough subjugation,-- Just as you do the grasshoppers and locusts; And if the gods offend you, you’ll blockade them, And starve them to surrender.”--(F.) The king summons a public meeting of his subjects to consider the proposal of their human visitors; and no doubt the appearance of the Chorus in their grotesque masks and elaborate costumes, representing twenty-four birds of various species, from the flamingo to the woodpecker, would be hailed with great delight by an Athenian audience, who in these matters were very much like grown-up children. The music appears to have been of a very original character, and more elaborate than usual; and the part of the Nightingale, with solos on the flute behind the scenes, is said to have been taken by a female performer of great ability, a public favourite who had just returned to Athens after a long absence. But the mere words of a comic extravaganza, whether Greek or English, without the accompaniments, on which so much depends, are little better than the dry skeleton of the piece, and can convey but a very inadequate idea of its attractions when fittingly “mounted” on the stage. This is notably the case with this production of our author, which, from its whole character, must have depended very much upon the completeness of such accessories for its success.