Armorel of Lyonesse: A Romance of To-dayBesant, Walter
General
Armorel of Lyonesse: A Romance of To-day
Besant, Walter
Fraud -- Fiction; Isles of Scilly (England) -- Fiction; London (England) -- Fiction
First she pulled down the blind, and so shut out what was left of the
twilight. The fire had sunk low, but by its light she was dimly
visible. She pushed back the table; she placed two chairs opposite the
old lady, and another chair before the spinning-wheel.
'Something,' said the young man to himself, 'is certainly going to
happen. One can no longer hope for dinner. Family prayers, perhaps; or
the worship of the old lady as an ancestor. The descendants of the
ancient people of Lyonesse no doubt bow down to the sun and dance to
the moon, and pass the children through the holèd stone, and make Baal
fires, and worship their grandmothers. It will be an interesting
function. But, perhaps, only family prayers.'
Armorel took down the fiddle that hung on the wall and began to tune
it, twanging the strings and drawing the bow across in the manner
which so pleasantly excites the theatre before the music begins.
'Not family prayers, then,' said the young man, perhaps disappointed.
What did happen, however, was a series of things quite new and wholly
unexpected. Never was known such a desert island.
First of all, the lady of many generations moved uneasily in her sleep
at the twanging of the strings, and her fingers clutched at her dress
as if she was startled by an uneasy dream.
And then the door opened, and a small procession of three came in. At
this point, had the young man been a Roman Catholic, he would have
crossed himself. As he was not, he only started and murmured, 'As I
thought. The worship of the ancestor! These are the ghosts of the
grandfather and the grandmother. The old lady is a mummy. They are all
ghosts--I shall presently awake and find myself on my back among the
barrows.'
First came an ancient dame, but not so ancient as she of the great
chair. Grey-headed she was, and equipped in a large cap; wrinkled was
her face, and her chin, for lack of teeth, approached her nose, quite
in the ancestral manner. She was followed by an old man, also
grey-headed and grey-bearded, wrinkled of face, his shoulders bent and
twisted with rheumatism, his fingers gnarled and twisted. These two
took the chairs set for them by Armorel. The third in the procession
was a woman already elderly and with streaks of grey in her hair. She
was thin and sharp-faced. She sat down before the spinning-wheel and
began to work, not as you may now see the amateur, but in the quiet,
quick, professional manner which means business.
The stranger was not quite right in his conjecture. They were not
ancestors. The old man, who had worked on the farm, man and boy, for
nearly seventy years, and now managed it altogether, was Justinian
Tryeth. The old woman was Dorcas, his wife. The middle-aged woman was
their daughter Chessun, who had been maid on the farm, as her brother
Peter had been boy, all her life.
Public-domain text, read in full here on John Shaqi.
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