Armorel of Lyonesse: A Romance of To-dayBesant, Walter
General
Armorel of Lyonesse: A Romance of To-day
Besant, Walter
Fraud -- Fiction; Isles of Scilly (England) -- Fiction; London (England) -- Fiction
Whatever was intended was clearly a daily function, because each
dropped into his own place without hesitation. The old woman had
brought some knitting with her, her daughter picked up the thread of
the spindle, and the old man, taking the tongs, stimulated the coals
into a flame, which he continually nursed and maintained with new
fuel. There was neither lamp nor candle in the room; the ruddy
firelight, rising and falling, played about the room, warming the drab
panels into crimson, sinking into the dark beams of the joists,
flashing among the china in the cupboard, painting red the
Venus's-fingers in the cabinet, and throwing strange lights and
shadows upon the aged lady in the chair. Was she really alive? Was
she, after all, only a mummy?
Roland looked on breathless. What was to be done next? Time had gone
back eighty years--a hundred and eighty years--any number of years. As
they sat here in the firelight with the spinning-wheel, the old
serving-people with their mistress, without lamp or candle, so they
sat in the generations long gone by. And again that curious feeling
fell upon him that he had seen it all before. Yet he could not
remember what was to be done next. Armorel, the tuning complete,
turned with a look of inquiry to the old man.
'"Singleton's Slip,"' he commanded with the authority of a professor.
The girl began to play this old tune. Perhaps you remember the style
of the fiddler--he is getting scarce now--who used to sit in the
corner and play the hornpipe for the sailors in the days when every
sailor could dance the hornpipe. Perhaps you do not remember that
fiddler and his style. That is your misfortune. For there was a noble
freedom in the handling of his bow, and the interpretation of his
melodies was bold and original. He poured into the music all the
spirit it was capable of containing, and drew out of his hearers every
emotion that each particular tune was able to draw. Because you see
tunes have their limitations. You cannot strike every chord in the
human heart with a simple hornpipe. This sailor's best friend,
however, did all that could be done. And always conscientious, if you
please, never allowing his playing to become slovenly or to lack
spirit.
Armorel played after the manner of this old fiddler, standing up to
her work in the middle of the room.
Public-domain text, read in full here on John Shaqi.
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