Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious NotesOvid
General
Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
If your teeth are black, or large, or not, growing straight, you will
suffer very great inconvenience from laughing. Who could have supposed
it? The fair take lessons even in laughing; and even in that respect is
gracefulness studied by them. Let your mouth be but moderately open; let
the dimples on either side he but small; and let the extremity of the
lips cover the upper part of the teeth. And do not let your sides be
shaking with prolonged laughter; but let them utter sounds gentle and
feminine, to I know not what degree. Some there are, who distort
their face with an unsightly grin; another, when she is joyous in her
laughter, you would take to be crying. Another makes a harsh noise, and
screams in a disagreeable manner; just as the unsightly she-ass brays by
the rough mill-stone.
To what point does not art proceed? Some study how to weep with grace,
and cry at what time and in what manner they please. Nay, further; when
the letters are deprived of their full sound, and the lisping tongue
becomes contracted with an affected pronunciation; then is grace sought
in an imperfection; to pronounce certain words badly, they learn to be
less able to speak than they really are. To all these points, since they
are of consequence, give attention. Learn how to walk with steps suited
to a female. Even in the gait, there are certain points of gracefulness
not to be disregarded; this both attracts and repels men who are strange
to you. This fair one moves her sides with skill, and with her flowing
tunics catches the breeze, and haughtily moves her extended feet.
Another walks just like the redfaced spouse of some Umbrian [1055]
husband, and, straddling, takes huge strides. But, as in many other
things, let there be a medium here as well; one movement is clownish;
another movement will be too mincing in its gait. But let the lower part
of your shoulders, and the upper part of your arm be bare, to be beheld
from your left hand upwards. This is especially becoming to you, ye of
fair complexion; when I see this, I have always a longing to give a kiss
to the shoulder, where it is exposed.
Public-domain text, read in full here on John Shaqi.
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