Art; Artists; Artists -- France -- Interviews; Sculpture
“In emphasizing so strongly the inner truth, you will have aided in the
evolution of our modern life. You have shown the immense value which
each one of us to-day attaches to his thoughts, to his affections, to
his dreams, and often to his wandering passions. You have recorded the
intoxication of love, maiden reveries, the madness of desire, the
ecstasy of meditation, the transports of hope, the crises of dejection.
You have ceaselessly explored the mysterious domain of the individual
conscience, and you have found it ever more vast. You have observed that
in this era upon which we have entered, nothing has more importance for
us than our own feelings, our own intimate personality. You have seen
that each one of us, the man of thought, the man of action, the mother,
the young girl, the lover, places the centre of the universe in his own
soul. And this disposition, of which we were ourselves almost
unconscious, you have revealed to us.
“Following upon Victor Hugo, who, celebrating in his poetry the joys and
the sorrows of private existence, sang the mother rocking the cradle,
the father at the grave of his child, the lover absorbed in happy
memories, you have expressed in sculpture the deepest, most secret
emotions of the soul.
“And there is no doubt but that this powerful wave of individualism
which is passing over the old society will modify it little by little.
There is no doubt but that, thanks to the efforts of the great artists
and the great thinkers, who ask each one of us to consider himself as an
end sufficient unto himself, and to live according to the dictates of
his own heart, humanity will end by sweeping aside all the tyrannies
which still oppress the individual and will suppress the social
inequalities which subject one to another, the poor to the rich, the
woman to the man, the weak to the strong.
“You, yourself, by the sincerity of your art, will have worked towards
the coming of this new order.”
But Rodin answered with a smile:
“Your great friendship accords me too large a place among the champions
of modern thought. It is true, at least, that I have striven to be of
use by formulating as clearly as I could my vision of people and of
things.”
[Illustration:
BUST OF MR. THOMAS FORTUNE RYAN
By Rodin
Photograph reproduced by permission of the Metropolitan Museum of Art
]
In a moment he went on:
“If I have insisted on our usefulness, and if I still insist upon it, it
is because this consideration alone can recall to us the sympathy which
is our due in the world in which we are living. To-day, every one is
engrossed by self-interest; but I would like to see this practical
society convinced that it is at least as much to its advantage to honor
the artist as to honor the manufacturer and the engineer.”
TRANSLATIONS
Page 37
Ah! proud and traitorous old age!
Public-domain text, read in full here on John Shaqi.
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