West was the King's pet painter. Dr. Drummond, Archbishop of York, had
obtained for him, in February 1768, the honour of an audience. The
artist took with him to the palace a picture, 'Agrippina landing with
the Ashes of Germanicus,' which he had executed for the archbishop. The
King greatly admired the work, and West forthwith received the royal
command to paint 'The Departure of Regulus for Rome.' Later in the year
a sketch of the picture was submitted to the King. At this time the
newspapers were full of the dissensions of the Incorporated Society.
Concerning these the King inquired of West. The artist--one of the eight
Directors who had voluntarily quitted the Society after the ejection of
their sixteen colleagues--related to the King the history of the
Society's proceedings from the Directors' point of view. Whereupon the
King stated 'that he would gladly patronize any association that might
be found better calculated to improve the arts.'
West returned from the palace full of this royal announcement. He at
once put himself in communication with three ex-Directors of the
Incorporated Society,--Cotes, a fashionable portrait-painter; Chambers,
who had been instructor in architecture to the King when Prince of
Wales; and Moser, the gold-chaser and enameller, who had taught the King
drawing. These four artists formed themselves into a committee to
arrange the plan of an academy. The King, it is stated, took great
personal interest in the scheme, and even drew up several laws with his
own hand. He expressed great anxiety that the design should be kept a
profound secret, lest it should be converted into a vehicle of political
influence. The artists did not object to this secrecy; they rather
preferred that their plan should, as it were, open fire upon their foes
unexpectedly, with the suddenness of a battery promptly unmasked.
We now come to the well-known story of the arrival at Windsor Castle of
Kirby, the President of the Incorporated Society, at a time when the
King is inspecting West's completed picture of, 'Regulus.' Kirby joins
in the general admiration of the work; he turns to West, and trusts that
it is the artist's intention to exhibit the picture. West replies that
the question of exhibition must rest with his Majesty, for whom the
picture has been painted. 'Assuredly,' says the King, 'I shall be happy
to let the work be shown to the public.' 'Then, Mr. West, you will send
it to my exhibition,' adds the President of the Incorporated Society.
'No!' his Majesty interposes, 'it must go to _my_ exhibition--_to the
Royal Academy_!' Mr. Kirby is thunderstruck,--the battery had been
unmasked. Profoundly humiliated he at once retires from the royal
presence, not to survive the shock very long, says the story. However,
he lived to 1774.
Public-domain text, read in full here on John Shaqi.
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