The first formal meeting of the Royal Academy was held in Pall Mall on
the 14th December 1768. Mr. Chambers read a report to the artists
assembled, relating the steps that had been taken to found the Academy.
No allusion was made in this report to the secret negotiations and
consultations with the King; but it was set forth that on the previous
28th November, Messrs. Chambers, Cotes, Moser, and West had had the
honour of presenting a memorial to the Crown, signed by twenty-two
artists, soliciting the royal assistance and protection in establishing
a new society for promoting the arts of design. The objects of the
society were stated to be 'the establishing a well-regulated school or
academy of design, for the use of students in the arts, and an annual
exhibition, open to all artists of distinguished merit, where they may
offer their performances to public inspection, and acquire that degree
of reputation and encouragement which they shall be deemed to deserve.'
'We apprehend,' the memorialists had proceeded, 'that the profits
arising from the last of these institutions will fully answer all the
expenses of the first: we even flatter ourselves they will be more than
necessary for that purpose, and that we shall be enabled annually to
distribute somewhat in useful charities. Your Majesty's avowed patronage
and protection is therefore all that we at present humbly sue for; but
should we be disappointed in our expectations, and find that the profits
of the society are insufficient to defray its expenses, we humbly hope
that your Majesty will not deem that expense ill-applied which may be
found necessary to support so useful an institution.' This memorial, so
the report went on to state, the King had received very graciously:
saying that he considered the culture of the arts as a national concern,
and that the memorialists might depend upon his patronage and assistance
in carrying their plan into execution; further, he desired that a fuller
statement in writing of their intentions might be laid before him.
Accordingly, Mr. Chambers had drawn up a sketch of his plan, and, having
obtained its approval by as many artists as the shortness of time would
allow, had submitted it to the King, who, on the 10th of December 1768,
signified his approbation, ordered that the plan should be carried into
execution, and with his own hand signed Mr. Chambers's plan--'the
Instrument,' as it was then, and has ever since been called. Mr.
Chambers then read the Instrument to the meeting, after which the
artists present signed an obligation or declaration, promising to
observe all the laws and regulations contained in the Instrument, and
all future laws that might be made for the better government of the
society, and to employ their utmost endeavours to promote the honour and
interest of the establishment, so long as they should continue members
thereof. The Academy thus obtained its constitution, and assumed such
form of legal existence as it has ever possessed.
Public-domain text, read in full here on John Shaqi.
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