Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306Holmes, William Henry
History
Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306
Holmes, William Henry
Indian art; Indians -- Antiquities
The wampum records of the Iroquois were generally in the form of belts,
the beads being strung or woven into patterns formed by the use of
different colors. By association simply they were made to record
history, laws, treaties, and speeches--a fact, a law, a stipulation, or
a declaration being "talked into" a particular part or pattern of the
design with which it was ever afterwards associated, thus giving
additional permanency to tradition and bringing it one step further
forward in the direction of written records. Such records were, of
course, quite useless without the agency of an interpreter. Among the
Iroquois, according to Morgan, one of the Onondaga sachems was made
hereditary "keeper of wampum," whose duty it was to be thoroughly versed
in its interpretation. But knowledge of the contents of these records
was not confined to the keeper, or even to the sachems. At a certain
season each year the belts were taken from the treasure-house and
exposed to the whole tribe, while the history and import of each was
publicly recited. This custom is kept up to the present day. It is
recorded by Ruttenber that among the Mohicans a certain sachem had
charge of the bag of peace which contained the wampum belts and strings
used in establishing peace and friendship with the different
nations.[94]
Aside from records wampum was used in the form of strings and belts for
a variety of purposes; some of them were probably mnemonic, others only
partially so, being based either upon its association with the name of
some chief or clan, or upon a semi-sacred character resulting from its
important uses. It was employed in summoning councils, and the messenger
who journeyed from tribe to tribe found in it a well recognized
passport. When a council was called it was presented by the delegates
from the various tribes as their credentials; it was used in the
ceremony of opening and closing councils, as was also the calumet; it
assisted in solemnizing oaths and in absolving from them; white, it was
a messenger of peace; black, it threatened war, and covered with clay,
it expressed grief. "White wampum was the Iroquois emblem of purity and
faith, it was hung around the neck of the white dog before it was
burned; it was used before the periodical religious festivals for the
confession of sins, no confession being regarded as sincere unless
recorded with white wampum; further than this, it was the customary
offering in condonation of murder, although the purple was sometimes
employed. Six strings was the value of a life, or the quantity sent in
condonation, for the wampum was rather sent as a regretful confession of
the crime, with a petition for forgiveness, than as the actual price of
blood."[95] We readily recognize the influence of the Christian
missionary in a number of these symbolic uses of wampum.
Public-domain text, read in full here on John Shaqi.
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