This ideal represents the Saviour as a man of about thirty-three years--His age at the Crucifixion. He wears flowing hair with a short beard and usually a moustache. His face is rather long, often oval; the features have a perfect regularity, and the expression is commonly one of patient resignation. Naturally His body must appear well nourished, otherwise corporeal beauty cannot be expressed. This is the type which has been used since the height of the Renaissance, though there have been a few exceptional representations. Thus, the face of Christ in Lionardo's Last Supper at Milan is that of a beardless young man of some twenty-five years[a] and Raphael in an early picture shows Him beardless, but gives Him an age of about thirty.[b] Some early Flemish artists also rendered Him beardless at times, notably the Maitre de Flémalle, Van der Weyden, and Quentin Matsys. Michelangelo in his Last Judgment represents the Saviour sitting in judgment as a robust, stern, commanding figure, beardless, and with an expression and bearing apparently serving the idea of Justice.[c] Strange to say the artist gives a very similar face to St. Stephen in the same series of frescoes. A still more unusual representation is that of Francisco di Giorgio, who gives Christ the appearance of an Apollo,[d] while Bramantino depicts His face worn with heavy lines.[e] In one picture Marco Basaiti shows Him as a young man with long hair but without beard, and in another with a thick beard without moustache.[f] There was considerable variation in the type among the Venetians of the sixteenth century, but not in important features, and since then very few artists indeed have ventured to depart from the ideal above described. The only notable exception in recent times is in a work by Burne-Jones who represents Christ as a beardless youth, though indicating the wound to St. Thomas.[g] It is supposed that the artist presumed that the Person of Christ underwent a complete change after the Resurrection. [a] And in the drawing for the picture at the Brera. [b] Christ Blessing at the Brescia Gallery. [c] In the Sistine Chapel frescoes. [d] Christ bereft of His clothes before the Crucifixion, Sienna Academy. [e] Christ, Mayno Collection. [f] The Dead Christ, and Calling of the Children of Zebedee, Academy, Venice. [g] Dies Domini.