Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early RenaissanceAddison, Julia de Wolf
History
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance
Addison, Julia de Wolf
Arts and crafts movement; Decoration and ornament, Medieval; Decorative arts -- History; Illumination of books and manuscripts
Among the numerous virtues of St. Eloi was that of a consistent
carrying out of his real beliefs and theories, whether men might
consider him quixotic or not. He was strongly opposed to the institution
of slavery. In those days it would have been futile to preach actual
emancipation. The times were not ripe. But St. Eloi did all that he
could for the cause of freedom by investing most of his money in
slaves, and then setting them at liberty. Sometimes he would "corner"
a whole slave market, buying as many as thirty to a hundred at a
time. Some of these manumitted persons became his own faithful
followers: some entered the religious life, and others devoted their
talents to their benefactor, and worked in his studios for the
furthering of art in the Church.
He once played a trick upon the king. He requested the gift of
a town, in order, as he explained, that he might there build a
ladder by which they might both reach heaven. The king, in the
rather credulous fashion of the times, granted his request, and
waited to see the ladder. St. Eloi promptly built a monastery.
If the monarch did not choose to avail himself of this species of
ladder,--surely it was no fault of the builder!
St. Quen and St. Eloi were consecrated bishops on the same day,
May 14, St. Quen to the Bishopric of Rouen, and Eloi to the See of
Noyon. He made a great hunt for the body of St. Quentin, which had
been unfortunately mislaid, having been buried in the neighbourhood
of Noyon; he turned up every available spot of ground around, within
and beneath the church, until he found a skeleton in a tomb, with
some iron nails. This he proclaimed to be the sacred body, for
the legend was that St. Quentin had been martyred by having nails
driven into his head! Although it was quite evident to others that
these were coffin nails, still St. Eloi insisted upon regarding his
discovery as genuine, and they began diligently to dismember the
remains for distribution among the churches. As they were pulling
one of the teeth, a drop of blood was seen to follow it, which
miracle was hailed by St. Eloi as the one proof wanting. Eloi had
the genuine artistic temperament and his religious zeal was much
influenced by his aesthetic nature. He once preached an excellent
sermon, still preserved, against superstition. He inveighed
particularly against the use of charms and incantations. But he had
his own little streak of superstition in spite of the fact that he
fulminated against it. When he had committed some fault, after
confession, he used to hang bags of relics in his room, and watch
them for a sign of forgiveness. When one of these would turn oily,
or begin to affect the surrounding atmosphere peculiarly, he would
consider it a sign of the forgiveness of heaven. It seems to us
to-day as if he might have looked to his own relic bags before
condemning the ignorant.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account