Perhaps the "American Girl" may be the agency to bring this about. This
charming product of the Western world has come into great prominence of
late years in literature and in foreign life, and has attained a
notoriety flattering or otherwise to the national pride. No institution
has been better known or more marked on the Continent and in England, not
excepting the tramway and the Pullman cars. Her enterprise, her daring,
her freedom from conventionality, have been the theme of the novelists
and the horror of the dowagers having marriageable daughters. Considered
as "stock," the American Girl has been quoted high, and the alliances
that she has formed with families impecunious but noble have given her
eclat as belonging to a new and conquering race in the world. But the
American Girl has not simply a slender figure and a fine eye and a ready
tongue, she is not simply an engaging and companionable person, she has
excellent common-sense, tact, and adaptability. She has at length seen in
her varied European experience that it is more profitable to have social
good form according to local standards than a reputation for dash and
brilliancy. Consequently the American Girl of a decade ago has effaced
herself. She is no longer the dazzling courageous figure. In England, in
France, in Germany, in Italy, she takes, as one may say, the color of the
land. She has retired behind her mother. She who formerly marched in the
van of the family procession, leading them--including the panting
mother--a whimsical dance, is now the timid and retiring girl, needing
the protection of a chaperon on every occasion. The satirist will find no
more abroad the American Girl of the old type whom he continues to
describe. The knowing and fascinating creature has changed her tactics
altogether. And the change has reacted on American society. The mother
has come once more to the front, and even if she is obliged to own to
forty-five years to the census-taker, she has again the position and the
privileges of the blooming woman of thirty. Her daughters walk meekly and
with downcast (if still expectant) eyes, and wait for a sign.
That this change is the deliberate work of the American Girl, no one who
knows her grace and talent will deny. In foreign travel and residence she
has been quick to learn her lesson. Dazzled at first by her own capacity
and the opportunities of the foreign field, she took the situation by
storm. But she found too often that she had a barren conquest, and that
the social traditions survived her success and became a lifelong
annoyance; that is to say, it was possible to subdue foreign men, but the
foreign women were impregnable in their social order. The American Girl
abroad is now, therefore, with rare exceptions, as carefully chaperoned
and secluded as her foreign sisters.
Public-domain text, read in full here on John Shaqi.
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