France -- History -- Francis I, 1515-1547 -- Fiction
The attack offered more than one difficulty, as the provost had said to
his friend Marmagne, as Ascanio had informed his master, and as
Benvenuto was now able to see for himself. The Château de Nesle was
crenellated and machicolated, was defended by a double wall on the river
side, and furthermore by the city moats and ramparts on the side of the
Pré-aux-Clercs. It was one of those massive and imposing feudal
structures, which were equal to the task of defending themselves by
their mass alone, provided that the doors were securely fastened, and of
repelling without outside assistance the assaults of _tirelaines_ and
_larroneurs_, as they were called in those days, or of the king's men,
if need were. This was often the case at that interesting epoch, when
one was generally compelled to do police duty for himself.
Having made his reconnaissance according to all the ancient and modern
rules of strategy, and deeming it to be his duty to summon the place to
surrender before laying siege to it, he knocked at the little door by
which Ascanio had once entered. For him as for Ascanio the small window
opened; but it was the martial countenance of an archer, instead of that
of the pacific gardener, which appeared in the opening.
"What do you want?" the archer demanded of the stranger who dared to
knock at the door of the Hôtel de Nesle.
"To take possession of the hotel, which has been given to me, Benvenuto
Cellini," replied the goldsmith.
"Very good,--wait," rejoined the fellow, and he went at once to notify
Messire d'Estourville, as he had been ordered to do.
A moment later he returned, accompanied by the provost, who did not show
himself, but stood listening, with bated breath, in a corner, surrounded
by part of his garrison, in order to judge the better of the gravity of
the affair.
"We do not know what you mean," said the archer.
"If that be so," said Cellini, "hand this document to Messire le
Prévôt; it is a certified copy of the deed of gift." And he passed the
parchment through the window.
The sergeant disappeared a second time; but as he had simply to put out
his hand to hand the copy to the provost, the window opened again almost
immediately.
"Here is his answer," said the sergeant, passing through the bars the
parchment torn in pieces.
"Very good," rejoined Cellini with perfect tranquillity. "_Au revoir_."
He returned to his studio, highly gratified by the attention with which
Ascanio had followed his scrutiny of the place, and the young man's
judicious suggestions as to the _coup de main_ they were to attempt at
some time; and he assured his pupil that he would have made a
distinguished general, were it not that he was destined to become a
still more distinguished artist, which, in Cellini's view, was
infinitely preferable.
The next morning the sun rose in all his glory; Benvenuto had requested
his workmen to come to the studio, although it was Sunday, and not one
of them failed to appear.
Public-domain text, read in full here on John Shaqi.
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