France -- History -- Francis I, 1515-1547 -- Fiction
"Then let the tempest howl!" cried Benvenuto; "at last we are to have a
little diversion. I have been rusty long enough. Up, up, brave hearts
and swords! Ah! thank God! we are soon to give and receive a few lusty
blows! Look you, my dear boys, look you, my gallant friends, we must arm
ourselves, we must agree upon a plan; let them be ready to look to
themselves, and _vive la joie_! I will give you all that I possess in
the way of weapons, offensive and defensive, in addition to those that
are hanging on the wall, where every one can choose at will. Ah! what we
really need is a good culverin: but there's its value in arquebuses,
hackbuts, pikes, swords, and daggers; and there are coats of mail
galore, and cuirasses and helmets. Come, haste, haste, and let us dress
for the ball! the provost shall pay for the music!"
"Hurrah!" cried all his companions.
Thereupon the studio was the scene of a commotion, a tumult, wonderful
to look upon; the verve and enthusiasm of the master infected every
heart and every face. They tried on cuirasses, brandished swords, tested
the point of daggers, laughed and sang, as if a masquerade or festival
of some sort were in progress. Benvenuto ran hither and thither, handing
a boot to this one, buckling the belt of another, and feeling the blood
course hotly and freely through his veins, as if this were the life he
truly loved.
The workmen meanwhile indulged in jokes at one another's expense,
commenting freely upon the bellicose demeanor and awkward attitudes of
their fellows.
"Look, master!" cried one of them; "look at Simon-le-Gaucher,[4] putting
his sword on the same side as we! On the right, man! on the right!"
"See Jehan," retorted Simon, "holding his halberd as he'll hold his
cross when he's a bishop!"
"There's Pagolo putting on a double coat of mail!" said Jehan.
"Why not?" replied Pagolo. "Hermann the German is arraying himself like
a knight in the days of the Emperor Barbarossa!"
In fact, the youth referred to by the appellation of Hermann the German
(a somewhat pleonastic title, as his name alone was so distinctively
Germanic in sound as to indicate that its owner belonged to some one of
the circles of the Holy Empire),--Hermann, we say, had covered himself
from head to foot with iron, and resembled one of the gigantic statues
which the sculptors of that artistic age were accustomed to carve upon
tombs.
Public-domain text, read in full here on John Shaqi.
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