France -- History -- Francis I, 1515-1547 -- Fiction
These arrangements determined upon, and the preparations for the affray
at an end, they drank a glass of Burgundy to the success of their
enterprise. To their weapons, offensive and defensive, they added
hammers, tongs, ladders, and ropes, and left the studio, not after the
manner of an army corps, but two by two, at sufficiently long intervals
not to attract attention. It was not that a _coup de main_ was a more
unfrequent occurrence in those days than an _émeute_ or a change of
ministry in these days of ours; but, truth to say, it was not customary
to select the Sabbath day, or the hour of noon, for this sort of
diversion, and it required all Benvenuto's audacity, reinforced by his
consciousness that right was on his side, to venture upon such an
undertaking.
One after another our heroes arrived at the Grands Augustins, and,
having given their weapons and tools into the charge of the sacristan,
who was a friend of Simon-le-Gaucher, they entered the church to listen
devoutly to the blessed sacrifice of the mass, and to implore God's help
in exterminating as many archers as possible.
Truth compels us to state, however, that despite the gravity of the
impending crisis, despite his exemplary piety, and despite the
importance of the matters to which his prayers had reference, Benvenuto
had no sooner entered the church than his actions indicated that his
mind was upon something very different. His distraction was due to the
fact that just behind him, but on the other side of the nave, sat a
young girl reading from an illuminated missal,--a young girl so adorably
lovely that she might well have confused the thoughts of a saint, much
more of a sculptor. Under such circumstances the artist sadly interfered
with the devotions of the Christian. The gallant Cellini could not
resist the desire to have some one to join him in his admiration, and as
Catherine, who was at his left, would certainly have frowned upon his
inattention, he turned to Ascanio, who was at his right, with the
purpose of bidding him turn his eyes toward the lovely picture.
But Ascanio's eyes needed no bidding in that direction; from the moment
that he entered the church his gaze was riveted upon the maiden, and his
eyes never left her face.
Benvenuto, seeing that he was absorbed in contemplation of the same
object, simply nudged him with his elbow.
"Yes," said Ascanio; "yes, it is Colombe. O master, is she not
beautiful?"
It was indeed Colombe; her father, not anticipating an attack at high
noon, had given her permission, not without some reluctance, to go to
the Augustins to pray. Colombe, it is true, was very earnest in her
request, for it was the only consolation that remained to her. Dame
Perrine was by her side.
"Ah çà! who is Colombe?" was Benvenuto's very natural query.
"Ah! yes, you do not know her. Colombe is the daughter of the provost,
Messire d'Estourville himself. Is she not beautiful?" he said again.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account