Alethea Pontifex, in _The Way of All Flesh_, is tall, handsome, with
fine blue eyes. Miss Savage was short, insignificant, and plain, with
brown eyes; she suffered from hip disease; physically, she was quite
unattractive. This introduces into the real history an element of pathos
and of pain which raises it to a far higher level of human interest than
the novel has to offer us. To Miss Savage, in her isolated state, Butler
was the whole world; and it is perfectly evident--Mr. Festing Jones need
not hesitate so conscientiously in admitting it--that she was
absorbingly, unalterably in love with Butler. She lived, quite
unupbraiding, in the intermittent light of his countenance. For nearly
twenty years they were, mentally, like a devoted husband and wife, yet
the anomaly of their relations never struck Butler, to whom Miss Savage
was a comrade of perfect sympathy, and no more. He did not observe,
until Miss Savage was dead, that she had felt towards him otherwise than
he felt towards her. He wrote, "I valued her, but she perfectly
understood that I could do no more." Did she? Mr. Festing Jones prints a
sonnet of Butler's, written in 1901, which seems to me to be one of the
most amazing pieces of self-revelation that I know:
And now, though twenty years are come and gone,
That little lame lady's face is with me still;
Never a day but what, on every one,
She dwells with me as dwell she ever will.
She said she wished I knew not wrong from right;
It was not that; I knew, and would have chosen
Wrong if I could, but, in my own despite,
Power to choose wrong in my chilled veins was frozen.
'Tis said that if a woman woo, no man
Should leave her till she have prevailed; and, true,
A man will yield for pity if he can,
But if the flesh rebels, what can he do?
I could not; hence I grieve my whole life long
The wrong I did in that I did no wrong.
Such fragments of Miss Savage's letters as Mr. Festing Jones prints show
that she was an admirable correspondent. Butler put her letters together
in a separate collection, edited, annotated, and ready for the Press.
This is to be published some day in a volume by itself, and will have a
pathetic value. But I confess to a certain feeling of regret that the
inner being of this obscure, pathetic, and self-sacrificing woman should
be immolated any further on the altar of Butler's egotism. My own
instinct would be to say: Let poor Miss Savage, out of whose painful and
imperfect existence so much "copy" has already been made, sleep on
undisturbed under her mouldering headstone at Finchley. But Mr. Festing
Jones knows best.
Public-domain text, read in full here on John Shaqi.
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