Beneath the canopy was a broad arena of seats. A platform, like a stage, was at one end. It was brilliantly illuminated with colored torches held aloft by girls in flowing robes, each standing like a statue with her light held high. The place was crowded. In the gloom of the darkened auditorium we found seats off to one side, near the open edge of the canopy. We sat, with Hope between us. Derek whispered, "Shakespeare might have staged a play in a fashion like this." A primitive theatrical performance. There was no curtain for interlude between what might have been the acts of a vaudeville. The torch girls, like pages, ranged themselves in a line across the front of the stage. They were standing there as we took our seats. The vivid glare of their torches concealed the stage behind them. There was a few moments wait, then, amid hushed silence, the king with his retinue came in. He sat in a canopied box off to one side. When he was seated, he raised his arm and the buzz of conversation in the audience began again. Presently the page girls moved aside from the stage. The buzz of the audience was stilted. The performance, destined to end so soon in tragedy, now began. CHAPTER VII _The Crimson Murderess_ Hope murmured. "The three-part music comes first. There will first be the spiritual." An orchestra was seated on the stage in a semi-circle. It was composed of men and women musicians, and there seemed to be over a hundred of them. They sat in three groups; the center group was about to play. In a solemn hush the leaderless choirs, with all its players garbed in white, began its first faint note. I craned to get a clear view of the stage. This white choir seemed almost all wood-wind. There were tiny pipes in little series such as Pan might have used. Flutes, and flageolets; and round-bellied little instruments of clay, like ocarinas. And pitch-pipes, long and slender as a marsh reed. In a moment I was lost in the music. It began softly, with single muted notes from a single instrument, echoed by the others, running about the choir like a will-o'-the-wisp. It was faint, as though very far away, made more sweet by distance. And then it swelled, came nearer. I had never heard such music as this. Primitive! It was not that. Nor barbaric! Nothing like the music of our ancient world. Nor was it what I might conceive to be the music of our future. A thing apart, unworldly, ethereal. It swept me, carried me off; it was an exaltation of the spirit lifting me. It was triumphant now. It surged, but there was in its rhythm, the beat of its every instrument, nothing but the soul of purity. And then it shimmered into distance again, faint and exquisite music of a dream. Crooning, pleading, the speech of whispering angels. It ceased. There was a storm of applause. I breathed again. Why, this was what music might be in our world but was not. I thought of our blaring jazz.