One man in unblacked boots, with a full set of dusting-brush whiskers
sticking up above his collarless shirt, smooth-shaven chin, red face,
and a shock of iron-gray hair held in place by a slouch hat, said he'd
"be doggoned if he ever knowed where he was at when he travelled on this
road."
Another--a man with a leather case filled with samples on the seat
beside him--a restless, loud-talking man, remarked that "they ought to
build a cemetery at both ends of the road, and then the mourners could
go in a walk and everybody would be satisfied, instead of trying to haul
trains loaded with live people that wanted to get somewheres."
Another--a woman this time, in a flower-covered hat and shiny brown
silk dress, new, and evidently the pride of her heart from the care she
took of it--one of those crisp, breezy, outspoken women of forty-five or
fifty--slim, narrow-faced, keen-eyed, with a red--quite red--nose that
would one day meet an ambitious upturned chin, and straight, firm mouth,
the under lip pressed tight against the upper one when her mind was made
up--remarked in a voice that sounded like a buzz-saw striking a knot:
"You ain't tellin' me that we're goin' to miss the train at Springfield,
be ye?"
This remark being addressed to the car as a whole--no single passenger
having vouchsafed any such information--was received in dead silence.
The arrival of the conductor, wiping the grease and grime from his hands
with a wad of cotton-waste, revived hope for a moment and encouraged an
air of gayety.
He was a gentlemanly conductor, patient, accustomed to be abused and
brief in his replies.
"Maybe one hour; maybe six."
The gayety ceased.
The bewhiskered man said, "Well, I'll be gosh-durned!"
The sample-case man said, "---- ---- ---- ---- ----" (You can fill that
up at your leisure.)
The woman in the brown silk rose to her feet, gathered her skirts
carefully in her hand, skewered the conductor with her eye, and said:
"You've gone and sp'ilt my day, that's what you've gone and done;" and,
receiving no reply, crossed the aisle and plumped herself down in the
overturned seat opposite the dear old lady, adding, as she shook out her
skirt:
"Dirt mean, ain't it?"
The Dear Old Lady looked at the Woman in Brown, nodded in kindly assent,
gazed at the conductor over her spectacles until he had closed the door,
and said in a low, sweet voice that was addressed to nobody in
particular, and yet which permeated the car like a strain of music:
"Well, if we're going to be here for six hours I guess I'll knit."
Public-domain text, read in full here on John Shaqi.
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