At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
“I know it,--been down to the stokers' bunks--it's Salonika--another new
landing.”
“They keep the Xth for making new landings.”
And so to the Graeco-Serbian frontier and a fresh series of adventures,
including sickness, life in an Egyptian hospital--and then England.
CHAPTER XXVIII. LOOKING BACK
The queer thing is, that when I look back upon that “Great Failure” it
is not the danger or the importance of the undertaking which is strongly
impressed so much as a jumble of smells and sounds and small things.
It is just these small things which no author can make up in his study
at home.
The glitter of some one carrying an army biscuit-tin along the mule
track; the imprinted tracks of sand-birds by the blue Aegean shore; the
stink of the dead; a dead man's hand sticking up through the sand; the
blankets soaked each morning by the heavy dew; the incessant rattle of a
machine-gun behind Pear-tree Gully; the distant ridges of the Sari Bahir
range shimmering in the heat of noon-day; the angry “buzz” of the green
and black flies disturbed from a jam-pot lid; the grit of sand in the
mouth with every bite of food; the sullen dullness of the overworked,
death-wearied troops; the hoarse dried-up and everlasting question:
“Any water?”; the silence of the Hindus of the Pack-mule Corps; the
“S-s-s-e-e-e-e-o-o-o-op!--Crash!”--of the high explosives bursting in a
bunch of densely solid smoke on the Kislar Dargh, and the slow unfolding
of these masses of smoke and sand in black and khaki rolls; the snort
and stampede of a couple of mules bolting along the beach with their
trappings swinging and rattling under their panting bellies; the steady
burning of the star-lit night skies; the regular morning shelling from
the Turkish batteries on the break of dawn over the gloom-shrouded
hills; the far-away call of some wounded man for “Stretchers!
Stretchers!”; the naked white men splashing and swimming in the bay; the
swoop of a couple of skinny vultures over the burning white sand of
the Salt Lake bed to the stinking and decomposing body of a
shrapnel-slaughtered mule hidden in the willow-thickets at the bottom
of Chocolate Hill; a torn and bullet-pierced French warplane stranded on
the other side of Lala Baba--lying over at an angle like a wounded white
seabird; the rush for the little figure bringing in “the mails” in
a sack over his shoulder; the smell of iodine and iodoform round the
hospital-tents; the long wobbling moan of the Turkish long-distance
shells, and the harmless “Z-z-z-eee-e-e-o-ooop!” of their “dud” shells
which buried themselves so often in the sand without exploding; the
tattered, begrimed and sunken-eyed appearance of men who had been in the
trenches for three weeks at a stretch; the bristling unshaven chins,
and the craving desire for “woodbines”; the ingrained stale blood on
my hands and arms from those fearful gaping wounds, and the red-brown
blood-stain patches on my khaki drill clothes; the pestering curse of
Public-domain text, read in full here on John Shaqi.
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