London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
He took it in with him, and placed it on his dresser-table. It formed
a strange contrast to the calm-faced Woolmer cavalier that was hanging
above; a strange contrast, too, with its colour, its modernity, its
realism, to the cold classicism of the pale, pure relics of the past
that lined the walls. Troubled by the discord, he turned its face to
the wall, but immediately, ashamed of the impulse and calling himself
a fool, he turned it again. Then, after lighting his reading-lamp
and turning out the gas, he sat down at the writing space on his
dresser-table.
The room door was open. The house was perfectly still, save for the
occasional creak of the stairs and banisters near the attics. From the
street outside, far beneath, came the faint, ghostlike rumble of passing
vehicles. Kent had never realised what absolute silence reigned at night
in that quiet household. A cuckoo-clock in the bedroom below struck
with a suddenness and clearness that startled him. It was only twelve
o'clock. Clytie would be back soon if she had gone out to spend the
evening with friends or at a theatre. He proceeded with some mechanical
work, docketing papers, his ear expectant of the sudden drag of a hansom
at the street door. Several times he was deceived and went out on the
landing to listen for the sounds announcing Clytie's arrival. Then he
resumed his occupation. Perhaps she was indoors and asleep all the time,
he thought; but the open door surely betokened her absence. He persuaded
himself into this belief, desiring intensely to see her. The immediate
fulfilment of Wither's prognostications troubled him. Had it not been
for his friend's bantering remarks he would have judged Clytie's
frank confession by the touchstone of his own simplicity, and found it
natural, prompted by no other motives than kindliness and common sense.
But what if it proceeded from the “fundamental silliness” of woman, that
he himself pitied and Wither professed to hold in contempt?
At last an unmistakable pause in the dimly heard rattle of a hansom made
him rise again and go on to the landing. Someone entered the house.
He heard the far distant creak of the stairs and the vague rustle of
skirts. It was Clytie. In the deathlike stillness of the house he heard
the sharp striking of a match. He waited for a moment or two and then
went down.
Clytie, in her hat and cloak, was reading, by the light of her bedroom
candle, a letter that had arrived by the last post.
“May I come in for one minute?”
“Of course--for two if you like. Do you know, I had an idle fancy that I
should see you when I got home?”
“Did you? I am very glad; it assures me that you don't think me--what
shall I say?--presumptuous in waiting for you to come in and then
intruding.”
“Did you listen for me? You are good. I am scarcely worth it.”
“I felt I must thank you for your little note--and the picture.”
“Well? And are we going to make friends again, Mr. Kent?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account