London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
Clytie looked down upon her wonderingly, her heart beating. Her
maidenhood urged her to fly; a higher sense of life bade her stay a
moment by the sobbing figure. She had never, to her knowledge, been near
to one of the great unclassed--still less spoken. She remembered the few
cynical words of the man; they seemed to give her a pain at the heart
akin to nausea. She remembered the pleading tones: “_Je t'aime Je t'aime
bien!_” and her pity went forth upon the woman.
“I don't ask you to tell me,” she said very gently. “But we may talk
a little, mayn't we? Perhaps it may ease you--a woman--the same
age,”--Clytie stumbled in the foreign language,--“and perhaps not so
well brought up--after all, a woman.”
“Oh, mademoiselle, you do not understand. This life!” her shoulders
shivered expressively. “After all, it is bearable; but when, with all
that, one loves--ah!”
“He is not worth it,” cried Clytie. “He is a scoundrel--I know what he
is!”
The girl raised her face quickly.
“You know him? You know Armand? Ah, no; you spoke at random. Yes, he is
base, cruel, but that does not prevent it. Mademoiselle, you are good,
you are sweet. It is not many who would have spoken. You will let me sit
here near you for a little? Ah, _mon Dieu_,” she went on rapidly, “you
cannot imagine what it is--never, never to talk to a woman whom one can
respect, and who may not betray you; and then the only persons one can
respect are the men, who despise one. And even they--one can love them,
but they are cowardly, hard, selfish!”
“There are some good men,” observed Clytie.
“That may be,” returned the other, finally drying her eyes, and putting
up her hand to her hair in tidying touches--“that may be, but we don't
often see them. Oh, mademoiselle, I know well that I should be ashamed
of showing you what I am, but when you touched my shoulder it was like
a good sister of the convent,”--Clytie smiled in spite of herself at the
comparison,--“and it touched my heart.”
“And I too have a confession to make,” said Clytie, gently interrupting.
“This morning--I overheard--my room is next to yours----”
“Ah, it was you who shut the window?”
“Yes. So I know, mademoiselle--at least I can judge. And are you quite
alone now?”
The girl shrugged her shoulders.
“What would you have? He has gone, and I must go too. One does not amuse
oneself here alone.”
“And where are you going?”
Public-domain text, read in full here on John Shaqi.
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