Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
'Madame Pomegranate? What a charming name! And that is why her cipher is
everywhere. See?' She pointed to the series of cupboards and niches on
either side of the door, dimly painted with pomegranate blossoms, and to
the plaster reliefs around the hooded fireplace, and the cluster of
pomegranates that made a centre to the gilt and painted lattice-work of
the ceiling. 'One could be very happy in such a little house. It has an
air--of being meant for moments. And you feel as if they had something
to do with the wonderful way it has faded.' She looked as if she had
meant to say something else, which she did not. But after a moment she
added, 'Will you ask them to turn off the water in the fountain? It is a
little chilly, now that the sun has gone, and it sounds like rain--or
tears.'
The dinner went, on the whole, not so badly. There were dishes to be
passed back and forth. There were questions to be asked or comments to
be made. There were the servants to be spoken to. Yet, more and more,
the Pasha could not help wondering. When a silence fell, too, he could
not help listening. And least of all could he help looking at Helene. He
looked at her, trying not to look at her, with an intense curiosity, as
if he had never seen her before, asking himself if there were anything
new in her face, and how she would look if--Would she be like this?
She made no attempt to keep up a flow of words, as if to distract his
attention. She was not soft either; she was not trying to seduce him:
And she made no show of gratitude toward him for having sent Zuembuel Agha
away. Neither did she by so much as an inflection try to insinuate or
excuse or explain. She was what she always was, perfect--and evidently a
little tired. She was indeed more than perfect, she was prodigious, when
he asked her once what she was thinking about and she said Pandora,
tapping the chest between them. He had never heard the story of that
Greek girl and her box, and she told him gravely about all the
calamities that came out of it, and the one gift of hope that remained
behind.
'But I cannot be a Turkish woman long!' she added inconsequently with a
smile. 'My legs are asleep. I really must walk about a little.'
When he had helped her to her feet she led the way into the other room.
They had their coffee and cigarettes there. Helene walked slowly up and
down the length of the room, stopping every now and then to look into
the square pool of the fountain and to pat her hair.
Public-domain text, read in full here on John Shaqi.
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