Atlantis (Legendary place) -- Fiction; Fantasy fiction; French fiction -- 20th century -- Translations into English; Science fiction
The floor, the incurving walls and the ceiling were of a kind of
veined marble like porphyry, panelled with a strange metal, paler than
gold, darker than silver, clouded just then by the early morning mist
that came in through the window in great puffs.
I staggered toward this window, drawn by the freshness of the breeze
and the sunlight which was chasing away my dreams, and I leaned my
elbows on the balustrade.
I could not restrain a cry of delight.
I was standing on a kind of balcony, cut into the flank of a mountain,
overhanging an abyss. Above me, blue sky; below appeared a veritable
earthly paradise hemmed in on all sides by mountains that formed a
continuous and impassable wall about it. A garden lay spread out down
there. The palm trees gently swayed their great fronds. At their feet
was a tangle of the smaller trees which grow in an oasis under their
protection: almonds, lemons, oranges, and many others which I could
not distinguish from that height. A broad blue stream, fed by a
waterfall, emptied into a charming lake, the waters of which had the
marvellous transparency which comes in high altitudes. Great birds
flew in circles over this green hollow; I could see in the lake the
red flash of a flamingo.
The peaks of the mountains which towered on all sides were completely
covered with snow.
The blue stream, the green palms, the golden fruit, and above it all,
the miraculous snow, all this bathed in that limpid air, gave such an
impression of beauty, of purity, that my poor human strength could no
longer stand the sight of it. I laid my forehead on the balustrade,
which, too, was covered with that heavenly snow, and began to cry like
a baby.
Morhange was behaving like another child. But he had awakened before I
had, and doubtless had had time to grasp, one by one, all these
details whose fantastic _ensemble_ staggered me.
He laid his hand on my shoulder and gently pulled me back into the
room.
"You haven't seen anything yet," he said. "Look! Look!"
"Morhange!"
"Well, old man, what do you want me to do about it? Look!"
I had just realized that the strange room was furnished--God forgive
me--in the European fashion. There were indeed, here and there, round
leather Tuareg cushions, brightly colored blankets from Gafsa, rugs
from Kairouan, and Caramani hangings which, at that moment, I should
have dreaded to draw aside. But a half-open panel in the wall showed a
bookcase crowded with books. A whole row of photographs of
masterpieces of ancient art were hung on the walls. Finally there was
a table almost hidden under its heap of papers, pamphlets, books. I
thought I should collapse at seeing a recent number of the
_Archaeological Review_.
I looked at Morhange. He was looking at me, and suddenly a mad laugh
seized us and doubled us up for a good minute.
Public-domain text, read in full here on John Shaqi.
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