Audubon and His Journals, Volume 1Audubon, John James
History
Audubon and His Journals, Volume 1
Audubon, John James
Audubon, John James, 1785-1851 -- Diaries; Birds -- North America; Naturalists -- United States -- Diaries
November of 1843 saw him once more at Minniesland, and the _long_
journeys were forever over; but work on the "Quadrupeds" was continued
with the usual energy. The next few years were those of great
happiness. His valued friend Dr. Thomas M. Brewer, of Boston, visited
him in 1846. Writing of him Dr. Brewer says:[60] "The patriarch had
greatly changed since I had last seen him. He wore his hair longer,
and it now hung down in locks of snowy whiteness on his shoulders. His
once piercing gray eyes, though still bright, had already begun to
fail him. He could no longer paint with his wonted accuracy, and had
at last, most reluctantly, been forced to surrender to his sons the
task of completing the illustrations to the "Quadrupeds of North
America." Surrounded by his large family, including his devoted wife,
his two sons with their wives,[61] and quite a troop of grandchildren,
his enjoyments of life seemed to leave him little to desire.... A
pleasanter scene, or a more interesting household it has never been
the writer's good fortune to witness."
Of this period one of his daughters-in-law[62] speaks in her journal
as follows: "Mr. Audubon was of a most kindly nature; he never passed
a workman or a stranger of either sex without a salutation, such as,
'Good-day, friend,' 'Well, my good man, how do you do?' If a boy, it
was, 'Well, my little man,' or a little girl, 'Good morning, lassie,
how are you to-day?' All were noticed, and his pleasant smile was so
cordial that all the villagers and work-people far and near, knew and
liked him. He painted a little after his return from the Yellowstone
River, but as he looked at his son John's animals, he said: 'Ah,
Johnny, no need for the old man to paint any more when you can do work
like that.' He was most affectionate in his disposition, very fond of
his grandchildren, and it was a pleasant sight to see him sit with one
on his knee, and others about him, singing French songs in his lively
way. It was sweet too, to see him with his wife; he was always her
lover, and invariably used the pronouns 'thee' and 'thou' in his
speech to her. Often have I heard him say, 'Well, sweetheart! always
busy; come sit thee down a few minutes and rest.'"
My mother has told me that when the picture of the Cougars came from
Texas, where my father had painted it, my grandfather's delight knew
no bounds. He was beside himself with joy that "his boy Johnny" could
paint a picture he considered so fine; he looked at it from every
point, and could not keep quiet, but walked up and down filled with
delight.
Public-domain text, read in full here on John Shaqi.
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