August Strindberg, the Spirit of Revolt: Studies and ImpressionsLind-af-Hageby, L. (Lizzy)
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August Strindberg, the Spirit of Revolt: Studies and Impressions
Lind-af-Hageby, L. (Lizzy)
Strindberg, August, 1849-1912
His love received a fresh stimulus; the shade of the Madonna resumed
temporary physical form. Strindberg returned to Stockholm, willing to
retrieve the past and mould the future by holy matrimony. The wedding
took place in December, 1877. Shortly afterwards a little girl was
prematurely born--a weakly infant who died two days later, thereby
saving the parents the anxiety of keeping its existence secret.
The unfoldment of the story of Strindberg's first marriage, the
tragi-comedy of its rhythm of love and hatred, shows not only
incompatibility of temper and a profound spiritual alienation, but
his unfitness to bear with equanimity prolonged period of domestic
enslavement. The superficial reader of the unpleasant details of _The
Confession_ will close the book with Géronte's question on his lips:
"Que diable allait-il faire dans cette galère?" The sexual psychology
of the book, its profound, though brutal exposure of its author's
emotional intemperance, can only be studied in conjunction with the
whole of his autobiographical writings. A mood, a phase, a temper,
appertaining to the woman-hater, are seething in _The Confession_, and
produce pearls of literary power as well as comicalities, and bêtises
which are reminiscent of a third-rate French novel.
_The Author_ reveals the idealist in quest of true love, a man who can
feel the purity and joy of generative creation, the natural pathos and
sacredness of family life.
Of the psychic rearrangement which preceded the birth of the second
child, Strindberg writes:
"He received the first certainty with fear. How could he receive and
bring up a child, and how would the ideal marriage of his dreams now be
realised? But he accustomed himself to the thought, and the unborn one
soon became a personal acquaintance, a beloved guest who was expected,
and for whose future he wanted to fight. The wife who hitherto had been
a comrade was endowed with another value as mother, and the ugly side
of their relationship, which already had been noticeable, disappeared.
A great, high mutual interest ennobled the relationship, made it
more intimate and roused dormant forces to activity. This time of
waiting was more beautiful than the period of the engagement and the
honeymoon, and the arrival of the child the most beautiful in his life."
Those who see in Strindberg's attitude towards marriage and women
nothing but the ravings of a sacrilegious and obscene mind deliberately
shut their eyes to aspirations, such as the above, which, however
fleeting, were as much a part of the man's attitude as the profanities
which even his warmest panegyrists cannot defend.
Public-domain text, read in full here on John Shaqi.
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