Scotland -- Social life and customs -- 19th century -- Fiction
When Dan'l Wilkie objected to keeping a cranky old body like Mysy in his
house, Cree came back to Thrums and took a single room with a hand-loom
in it. The flooring was only lumpy earth, with sacks spread over it to
protect Mysy's feet. The room contained two dilapidated old coffin-beds,
a dresser, a high-backed arm-chair, several three-legged stools, and
two tables, of which one could be packed away beneath the other. In one
corner stood the wheel at which Cree had to fill his own pirns. There
was a plate-rack on one wall, and near the chimney-piece hung the
wag-at-the-wall clock, the time-piece that was commonest in Thrums at
that time, and that got this name because its exposed pendulum swung
along the wall. The two windows in the room faced each other on opposite
walls, and were so small that even a child might have stuck in trying to
crawl through them. They opened on hinges, like a door. In the wall of
the dark passage leading from the outer door into the room was a recess
where a pan and pitcher of water always stood wedded, as it were, and
a little hole, known as the “bole,” in the wall opposite the fire-place
contained Cree's library. It consisted of Baxter's “Saints' Rest,”
Harvey's “Meditations,” the “Pilgrim's Progress,” a work on folk-lore,
and several Bibles. The saut-backet, or salt-bucket, stood at the end
of the fender, which was half of an old cart-wheel. Here Cree worked,
whistling “Ower the watter for Chairlie” to make Mysy think that he was
as gay as a mavis. Mysy grew querulous in her old age, and up to the end
she thought of poor, done Cree as a handsome gallant. Only by weaving
far on into the night could Cree earn as much as six shillings a week.
He began at six o'clock in the morning, and worked until midnight by the
light of his cruizey. The cruizey was all the lamp Thrums had in those
days, though it is only to be seen in use now in a few old-world houses
in the glens. It is an ungainly thing in iron, the size of a man's palm,
and shaped not unlike the palm when contracted and deepened to hold a
liquid. Whale-oil, lying open in the mould, was used, and the wick was a
rash with the green skin peeled off. These rashes were sold by herd-boys
at a halfpenny the bundle, but Cree gathered his own wicks. The rashes
skin readily when you know how to do it. The iron mould was placed
inside another of the same shape, but slightly larger, for in time the
oil dripped through the iron, and the whole was then hung by a cleek or
hook close to the person using it. Even with three wicks it gave but a
stime of light, and never allowed the weaver to see more than the half
of his loom at a time. Sometimes Cree used threads for wicks. He was too
dull a man to have many visitors, but Mr. Dishart called occasionally
and reproved him for telling his mother lies. The lies Cree told Mysy
were that he was sharing the meals he won for her, and that he wore the
overcoat which he had exchanged years before for a blanket to keep her
warm.
Public-domain text, read in full here on John Shaqi.
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